2.3 MASTER EFFECTS
2.3.1 BUS COMPRESSOR
Also under the MASTER FX page, there is a option calls BUS COMP.
This is the only master effect in Essential D1 currently. BUS COMP is
a master bus compressor located at the end of Essential D1's audio
signal path. It offers couples of parameters for you to shape the
overall dynamic of your sounds.
●
SYNC: By turning on the sync function, delay effect will be synchronized to the master clock signal.
The RATE parameter will turn into clock division instead of actual repeat time in the unit of
millisecond.
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TYPE: The delay on the Essential D1 features 2 types of algorithms. Each of them offers different
types of colors. You can choose between DIGI and BBD. DIGI stands for digital, providing crystal
clear sound that found on mordern delay effect unit. BBD, on the other hand, simulates the classic
analog bucket brigade delay. Audio signal that run throught this type of delay will lost its high
frequency content on each feedback loop, resulting in a vintage texture of sound.
●
RATE: Defines the repeat rate of the delayed signal. When SYNC is off, the repeat rate will be in
milliseconds, ranging from 20ms up to 1,000ms. When SYNC is on, the repeat rate will turn into
clock division, switching from 32nd triplets, all the way up to a whole note.
●
FEEDBACK: Defines how much of output signal feeds back into the delay effect, ranging from 0% to
100%.
●
HPF: There is a high-pass filter located in front of the detection circuit. By filtering out the
high-level low-frequency portion, the compressor will compress the sound more gentle, resulting
in a more natural sound.
●
RATIO: Defines how much the compression apply to the signal above the threshold. You can select
from 1.5, 2.0, 3.0, 4.0, 5.0 and 10.0. Lower value means less compression resulting in a more natural
sounding while higher value will make the compression more noticeable.
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