4-15
Presets
PCM 81
1.3 Go Away ADJUST: How Far? 0–127
Use this preset to take a stereo source and move it anywhere from
in your face to far, far away. Use ADJUST to move the source away
from you. 0 = unprocessed stereo, 127 = far away. As ADJUST is
increased, EQ, reverb and stereo width are all changed to produce
the composite effect. This effect is compatible with stereo and
Surround mixes.
1.4 Circular Pan ADJUST: Rate 0–100
Similar to Go Away, this preset sums the inputs to mono and uses
the LFO to control EQ, reverb and stereo width to pan the sound
through a circular orbit. From right through center,to left through
rear, to right. As the sound approaches the center, it grows
brighter, louder and dryer. As it recedes towards the rear, it grows
darker, softer and more reverberant. In a Surround mix, the center
and rear positions of the orbit will feed only the center and rear
channels of the mix. ADJUST controls the rate of the pan.
1.5 Spatial Hall ADJUST: Position 0–35
A multi-dimensional preset which changes as you increase or
decrease the ADJUST knob value. This preset is not mono
compatible.
1.6 Rear of Hall ADJUST: Decay 0–60
This is a really huge space and you’re in the back of it. ADJUST
changes the reverberation characteristics, making it boomier.
1.7 Backstage ADJUST: How Far? 0–127
Remember what the concert sounded like from the green room? If
you need to re-create that ambience, this preset will take you there
and let you wander around. Turn up ADJUST to travel further from
the stage until, finally, you’re out in the parking lot. The Soft Row
provides reverb parameters that will let you fine tune the the hall
to fit your needs.
1.8 Steered Rear ADJUST: Decay 0–10
The Width parameter steers this plate effect from front to back after
the AR releases based on input level. ADJUST controls reverb decay.
Due to the strong spatial positioning at the end of the decay, this
preset is not mono compatible.
1.9 Too Deep! ADJUST: Decay 0–40
The left and right envelope followers control the post delay glides
while the AR generator controls reverb width. ADJUST controls
reverb decay.
2.0 Dyna-Hall ADJUST: Decay 0–130
A tamer version of Too Deep! No envelope chorusing. Good,
beautiful, straight ahead, and spacious.
2.1 RotoRox ADJUST: FX Mix 0-100
RotoRox crossfades deeper into two delay voices when the
envelope follower detects an absence of input. Great vocal effects
for thickly-produced rock and roll. ADJUST will add more or less
reverb into the effects mix.
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