4-22
Presets
Lexicon
PROGRAM BANK 3 (P3) (continued)
PROCESSED REVERB EFFECTS (continued)
3.2 EnvChamber ADJUST: Jet Knob 0–127
Similar to JetChamber, but here flanging is controlled by input
level. The flange effect is most prominent when the input level
drops. This lets you process drums with little or no reverb flanging
while they are active, but individual hits and fills will have
pronounced flanging during the reverb tail. This also works well
with a variety of sources including acoustic guitar and piano.
3.3 Wizz and Wazz ADJUST: Decay 0–127
This tempo driven effect has delays that whiz from left to right. FX
Mix is also linked to tempo, going slowly from delays to reverb,
then abruptly back to delays. ADJUST controls reverb decay.
3.4 Sci Fi ADJUST: Wiggle 0–127
This preset uses an LFO modulated reverb for its basic effect.
ADJUST controls the depth of the modulation. It will put a big
spacious halo around unpitched sources, like drums. Lower settings
of ADJUST will work best with pitched sources, although higher
settings can yield some interesting sound effects. (Listen to a high
piano note with ADJUST at about 100 –definite science fiction
material!)
3.5 Wobble Plate ADJUST: Wobble 0–30
A different type of chorus plate. ADJUST controls glide response.
3.6 Dyna Vibrato ADJUST: Glide 0–127
Input level triggers a delayed vibrato. The vibrato is created by
modulating two pairs of gliding delays. ADJUST controls the offset
between the delay pairs. Use it to thicken up the effect. You’ll find
parameters to change the modulation depth and add reverb in the
Soft Row. A nice effect to sweeten up acoustic guitar, dry sampler
or synth tracks, etc.
3.7 VibroVerb ADJUST: V-Depth 0–127
In this effect, the reverb is processed to produce a vibrato that
wanders slowly between two rates. ADJUST sets the depth of the
vibrato. 0 = none, 127 = maximum. Low settings of ADJUST work
nicely to open up the space around backing tracks. Higher settings
can be used to add character to dry synthesizer tones, guitar and
piano. Check out the Soft Row for parameters that you use to
change the overall sound of the reverb.
3.8 SweepVerb ADJUST: GldResp 0–100
The left and right reverb outputs are detuned in opposite directions
by the AR, which is triggered by input level. ADJUST controls the
amount of detune. To open up the space around percussive
sources, use very low settings of ADJUST. Higher settings will
produce radical pitch swoops in the reverb. The Soft Row contains
several useful reverb parameters.
3.9 EnveloVerb ADJUST: Rt HC 0–40
Great on sustained and slowly fading sound sources. The AR
generator controls the Reverb output as well as the Reverb time.
ADJUST controls the high frequency response of the reverb tail.
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