Do you have a question about the Symetrix 601 and is the answer not in the manual?
Describes the manual's structure and chapter contents for user guidance.
Provides essential safety information for operating the equipment.
Details crucial safety aspects regarding power source, grounding, fuses, and operating location.
Introduces the 601 as a combination of four digital signal processors.
Discusses the distinction between digital and analog processing in audio devices.
Explains signal levels, headroom, dynamic range, and setting gain for optimal audio performance.
Details the function of equalization and its application in audio signal processing.
Describes the process of reducing sibilant sounds ("s" and "sh") in speech and singing.
Details single-ended noise reduction techniques for signal clarity.
Explains how downward expansion increases dynamic range and reduces noise.
Covers signal compression for managing dynamic range and creating audio effects.
Describes Automatic Gain Control (AGC) for maintaining consistent audio levels.
Introduces the concept of delay effects for adding space, time, and reflection to audio.
Explains how modulating delay time creates effects like flanging and chorus.
Discusses MIDI control capabilities for parameters and remote operation.
Details the 601's program storage for user and factory presets.
Explains the importance of matching signal levels and impedance relationships for audio systems.
Defines and categorizes studio/professional line levels and microphone levels.
Details the input and output impedance specifications for interfacing with audio equipment.
Describes the standard polarity convention for audio signals, particularly pin 2 hot.
Illustrates how to connect balanced and unbalanced analog sources and loads.
Discusses digital I/O formats (AES/EBU, S/PDIF) and their interface characteristics.
Explains the MIDI connections and their functionality, including echo behavior.
Provides an overview of the 601's intuitive interface, parameter adjustment, and switch functions.
Covers controls and indicators for setting analog input levels and headroom.
Details the three-band parametric equalizer, including band equalization and control.
Introduces the dynamics section, including de-esser, NR, expander, compressor, and AGC.
Introduces the dual-delay system with feedback, cross-coupling, and modulation capabilities.
Covers switches affecting the 601's output, including bypass and gain/pan controls.
Details global system parameters like MIDI, stored in battery-backed memory.
Manages memory tasks, including saving, comparing, and loading programs.
Provides practical scenarios for setting up the 601 with various analog and digital input signals.
Details the procedure for reinitializing the 601 to its factory default settings, erasing user programs.
Explains the security feature to disable front panel controls for operational security.
Section to record the unit's serial number for warranty purposes.
Specifies the IEC power connector and the need for an appropriate AC source.
Describes the push-push switch for turning the unit on and off.
Identifies the 5-pin DIN connectors for MIDI input and output.
Details the RCA and XLR connectors for S/PDIF and AES/EBU digital output.
Details the RCA and XLR connectors for S/PDIF and AES/EBU digital input.
Describes the balanced XLR connectors for analog audio output.
Details the balanced XLR connectors for analog line and microphone level inputs.
Explains the switch to enable/disable +48V phantom power for condenser microphones.
Guides on connecting analog and digital sources and destinations to the 601.
Step-by-step instructions for configuring the 601's front panel controls for analog sources.
Step-by-step instructions for configuring the 601's front panel controls for digital sources.
Covers mechanical, electrical, and connector requirements for installing the 601.
Provides details on the 601's signal flow, processing capabilities, and input/output handling.
Presents block diagrams illustrating the 601's internal signal processing architecture.
Explores various ways to interface and use the 601 within different audio setups.
Offers practical tips and techniques for optimizing the use of the 601.
Suggests using the 601 to create unique sounds for on-air personalities.
Recommends storing settings for voice talents for quick recall.
Suggests using the 601 for recording or processing foley effects.
Explains using the 601 for digital mastering tasks like compression and EQ.
Highlights the 601's suitability as an instrument processor, especially for keyboards.
Describes the 601 as an ultimate channel insert processor for live sound.
States limitations on Symetrix's total liability for claims related to the product.
Details the process for obtaining a Return Authorization number before sending the unit for service.
Guides on procedures for getting the unit repaired under warranty terms.
Explains the process and costs associated with out-of-warranty repairs.
Lists the electrical and connector specifications for the unit's inputs and outputs.
Details the specifications of the three-band parametric equalizer.
Lists the specifications for the delay effects, including time and modulation.
Covers the specifications for de-essing, noise reduction, expansion, compression, and AGC.
Details the specifications for output level and panning functions.
Provides technical performance metrics such as frequency response, distortion, and dynamic range.
Outlines the MIDI features, accessible parameters, and connectors.
Lists the physical dimensions and weight of the unit.
Specifies the power requirements for the unit.
Introduces MIDI messages relevant to the 601, such as Control Change and Sysex.
Explains how Control Change messages affect parameters like volume and panning.
Discusses Realtime MIDI setups, parameter mapping, scaling, and offsets.
Details the format and usage of MIDI System Exclusive messages for controlling the 601.
Explains the conditions under which Sysex messages are echoed through the MIDI OUT connector.
Lists the MIDI sysex messages that the 601 recognizes.
Describes the data structure for program parameters within the Edit Buffer.
Defines technical terms used throughout the manual, with cross-references.
Provides a list of recommended books for further research on audio topics.
Details the steps required to remove the unit's top cover.
Outlines procedures for removing the various circuit boards within the 601.
Lists factory preset programs and building-block programs for specialized functions.
Summarizes MIDI functions, recognized messages, and their corresponding remarks.
Describes the manual's structure and chapter contents for user guidance.
Provides essential safety information for operating the equipment.
Details crucial safety aspects regarding power source, grounding, fuses, and operating location.
Introduces the 601 as a combination of four digital signal processors.
Discusses the distinction between digital and analog processing in audio devices.
Explains signal levels, headroom, dynamic range, and setting gain for optimal audio performance.
Details the function of equalization and its application in audio signal processing.
Describes the process of reducing sibilant sounds ("s" and "sh") in speech and singing.
Details single-ended noise reduction techniques for signal clarity.
Explains how downward expansion increases dynamic range and reduces noise.
Covers signal compression for managing dynamic range and creating audio effects.
Describes Automatic Gain Control (AGC) for maintaining consistent audio levels.
Introduces the concept of delay effects for adding space, time, and reflection to audio.
Explains how modulating delay time creates effects like flanging and chorus.
Discusses MIDI control capabilities for parameters and remote operation.
Details the 601's program storage for user and factory presets.
Explains the importance of matching signal levels and impedance relationships for audio systems.
Defines and categorizes studio/professional line levels and microphone levels.
Details the input and output impedance specifications for interfacing with audio equipment.
Describes the standard polarity convention for audio signals, particularly pin 2 hot.
Illustrates how to connect balanced and unbalanced analog sources and loads.
Discusses digital I/O formats (AES/EBU, S/PDIF) and their interface characteristics.
Explains the MIDI connections and their functionality, including echo behavior.
Provides an overview of the 601's intuitive interface, parameter adjustment, and switch functions.
Covers controls and indicators for setting analog input levels and headroom.
Details the three-band parametric equalizer, including band equalization and control.
Introduces the dynamics section, including de-esser, NR, expander, compressor, and AGC.
Introduces the dual-delay system with feedback, cross-coupling, and modulation capabilities.
Covers switches affecting the 601's output, including bypass and gain/pan controls.
Details global system parameters like MIDI, stored in battery-backed memory.
Manages memory tasks, including saving, comparing, and loading programs.
Provides practical scenarios for setting up the 601 with various analog and digital input signals.
Details the procedure for reinitializing the 601 to its factory default settings, erasing user programs.
Explains the security feature to disable front panel controls for operational security.
Section to record the unit's serial number for warranty purposes.
Specifies the IEC power connector and the need for an appropriate AC source.
Describes the push-push switch for turning the unit on and off.
Identifies the 5-pin DIN connectors for MIDI input and output.
Details the RCA and XLR connectors for S/PDIF and AES/EBU digital output.
Details the RCA and XLR connectors for S/PDIF and AES/EBU digital input.
Describes the balanced XLR connectors for analog audio output.
Details the balanced XLR connectors for analog line and microphone level inputs.
Explains the switch to enable/disable +48V phantom power for condenser microphones.
Guides on connecting analog and digital sources and destinations to the 601.
Step-by-step instructions for configuring the 601's front panel controls for analog sources.
Step-by-step instructions for configuring the 601's front panel controls for digital sources.
Covers mechanical, electrical, and connector requirements for installing the 601.
Provides details on the 601's signal flow, processing capabilities, and input/output handling.
Presents block diagrams illustrating the 601's internal signal processing architecture.
Explores various ways to interface and use the 601 within different audio setups.
Offers practical tips and techniques for optimizing the use of the 601.
Suggests using the 601 to create unique sounds for on-air personalities.
Recommends storing settings for voice talents for quick recall.
Suggests using the 601 for recording or processing foley effects.
Explains using the 601 for digital mastering tasks like compression and EQ.
Highlights the 601's suitability as an instrument processor, especially for keyboards.
Describes the 601 as an ultimate channel insert processor for live sound.
States limitations on Symetrix's total liability for claims related to the product.
Details the process for obtaining a Return Authorization number before sending the unit for service.
Guides on procedures for getting the unit repaired under warranty terms.
Explains the process and costs associated with out-of-warranty repairs.
Lists the electrical and connector specifications for the unit's inputs and outputs.
Details the specifications of the three-band parametric equalizer.
Lists the specifications for the delay effects, including time and modulation.
Covers the specifications for de-essing, noise reduction, expansion, compression, and AGC.
Details the specifications for output level and panning functions.
Provides technical performance metrics such as frequency response, distortion, and dynamic range.
Outlines the MIDI features, accessible parameters, and connectors.
Lists the physical dimensions and weight of the unit.
Specifies the power requirements for the unit.
Introduces MIDI messages relevant to the 601, such as Control Change and Sysex.
Explains how Control Change messages affect parameters like volume and panning.
Discusses Realtime MIDI setups, parameter mapping, scaling, and offsets.
Details the format and usage of MIDI System Exclusive messages for controlling the 601.
Explains the conditions under which Sysex messages are echoed through the MIDI OUT connector.
Lists the MIDI sysex messages that the 601 recognizes.
Describes the data structure for program parameters within the Edit Buffer.
Defines technical terms used throughout the manual, with cross-references.
Provides a list of recommended books for further research on audio topics.
Details the steps required to remove the unit's top cover.
Outlines procedures for removing the various circuit boards within the 601.
Lists factory preset programs and building-block programs for specialized functions.
Summarizes MIDI functions, recognized messages, and their corresponding remarks.
| Brand | Symetrix |
|---|---|
| Model | 601 |
| Category | Telephone Accessories |
| Language | English |
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