• Filter controls: Adjust the available parameters for the selected lter mode.
Since lters require a considerable amount of CPU power, it is recommended to
switch this module off when it is not in use.
11.5.1. Solid G-EQ
Solid G-EQ mode emulates the 4-band parametric equalizer of a highly regarded mixing desk. It
offers four dedicated frequency bands that can be used simultaneously.
You can select the frequency band for editing using the Type selector:
• L: Low frequency band
• LM: Low-mid frequency band
• HM: High-mid frequency band
• H: High frequency band
The following controls are available in this mode:
• Freq: Adjusts the lter frequency of the respective frequency band.
• Bell: Switches the L and H frequency bands to a bell instead of a shelf lter.
• Q: Adjusts the Q factor, or resonance, of the LM and HM frequency bands. The Q factor
determines the width of the frequency band around the lter frequency that is attenuated or
boosted.
• Output: Adjusts the output level of the module.
11.5.2. 3-Band EQ
3-Band EQ mode is a classic parametric equalizer. It offers three flexible frequency bands that can
be used simultaneously.
You can select the frequency band for editing using the Type selector:
• Band 1
• Band 2
• Band 3
The following controls are available in this mode:
• Freq: Adjusts the lter frequency of the respective frequency band.
• BW: Adjusts the Q factor, or resonance, of the respective frequency band. The Q factor
determines the width of the frequency band around the lter frequency that is attenuated or
boosted.
• Gain: Adjusts the output level of the respective frequency band. Setting Gain to high values can
be used to apply a soft saturation effect.
11.5.3. Lowpass
Lowpass mode is a resonant lter that attenuates frequency content above the cutoff frequency,
creating a darker sound. It offers four different lter types that change the character of the lter.
EFFECTS PAGE 36
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