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Strymon TimeLine - Reverse Delay

Strymon TimeLine
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TimeLine - User Manual
®
pg 16
Delay Machines: Reverse
REC / DUB PLAY
STOP
TYPE
REVERSE
FILTER
DUAL
DIGITAL
dBUCKET
PATTERN
dTAPE
BANK / TIME
hold (looper)
hold (save)
push (param)
ICE
TREM
DUCK
SWELL
®
LO-FI
VALUE
FILTER
GRIT SPEED DEPTH
B TAPA
TIME
REPEATS MIX
MOD
BANK DOWN BANK UP
hold (global)
An improvement on the classic reverse delay. The input signal triggers
the delay so the reverse signal is always predictable, musical and
repeatable.
PARAMETERS:
SMEAR: Softens the attack of the repeats while maintaining
full frequency response. This allows for higher mix
levels while keeping the delay out of the way of the dry
signal. With high Repeats levels, the delayed signal
gets dreamy and ethereal.
OFF
|||||||||
HIGH PASS: Reduces the low frequency content of the wet signal
after the delay. A useful additional tone sculptor for
delays on low-note riffs or chords where you want to
reduce booming in your rig.
OFF
20Hz
40Hz
60Hz
80Hz
100Hz
120Hz
140Hz
160Hz
180Hz
200Hz
230Hz
260Hz
300Hz
350Hz
400Hz
500Hz
600Hz
700Hz
800Hz
900Hz
TIPS & TRICKS: Try setting the TIME knob to around 500mS, and
hold a ringing chord for an interesting rhythmic effect. Experiment
with the FILTER, GRIT and MOD knobs.
To keep your dry signal feeding into the reverse delay while
effectively bypassed, assign an expression to control the MIX knob.
Assign the HEEL position to the MIX knob at minimum. Assign
the TOE position to the desired wet mix on the MIX knob. Rock the
expression pedal all the way back to bypass the delay. Rock the
pedal to the TOE position to hear reverse repeats that have already
been generating while the mix was at full dry.

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