R16 effect types and parameters 8
Table 2
Setting value Description
Off
Frequency does not change.
Up
Frequency changes from minimum to maximum according to the controlling waveform.
Down
Frequency changes from maximum to minimum according to the controlling waveform.
Hi
Frequency changes from patch setting to maximum according to the controlling waveform.
Lo
Frequency changes from minimum to patch setting according to the controlling waveform.
Table 3
Setting
value
Description
Setting
value
Description
Up Saw
Rising sawtooth wave
Tri
Triangular wave
Up Fin
Rising fin wave
TrixTri
Squared triangular wave
DownSaw
Falling sawtooth wave
Sine
Sine wave
DownFin
Falling fin wave
Square
Square wave
Table 4
Setting
value
Description
Setting
value
Description
Eighth note
1 bar
1 measure
Quarter note
2 bars
2 measures
Half note
3 bars
3 measures
Dotted half note
4 bars
4 measures
• The note range actually available depends on the parameter.
• Depending on the combination of tempo setting and selected note symbol, the parameter setting range could be exceeded. In such a
case, the value is automatically halved (or set to 1/4 if the range is still exceeded).
NOTE
Table 1
Parameters marked with
allow selection of a setting value in note units, using the song/pattern tempo as reference.
The note durations for the setting values are shown below.
Thirty-second note
Dotted sixteenth note
Dotted eighth note Quarter note x 2
Sixteenth note
Eighth note
Quarter note
: :
Quarter triplet note
Half triplet note
Dotted quarter note Quarter note x 20
Table 5
Setting
value
Description
1
1 semitone lower — original sound
2
Original sound — 1 semitone lower
3
Doubling — detune + original sound
4
Detune + original sound — doubling
5
Original sound — 1 octave higher
6
1 octave higher — original sound
7
Original sound — 2 octaves lower
8
2 octaves lower — original sound
9
1 octave lower + original sound — 1 octave higher + original sound
Setting
value
Description
10
1 octave higher + original sound — 1 octave lower + original sound
11
Complete fifth down + original sound — complete
fourth up + original sound
12
Complete fourth up + original sound — complete fifth
down + original sound
13
0 Hz + original sound — 1 octave up
14
1 octave up — 0 Hz + original sound
15
0 Hz + original sound — 1 octave up + original sound
16
1 octave up + original sound — 0 Hz + original sound
Type Parameters/Description
3Band EQ
For an explanation of types and parameters, see CLEAN, DISTORTION, ACO/BASS SIM algorithms.
R16 effect types and parameters 7
Parameter descriptions
Parameter
name
Setting range Description
Xover Lo
50Hz~16kHz Adjusts low-to-mid crossover frequency.
Xover Hi
50Hz~16kHz Adjusts mid-to-high crossover frequency.
Mix High
Off, −24~6 Adjusts high range mix level.
Mix Mid
Off, −24~6 Adjusts mid range mix level.
Mix Low
Off, −24~6 Adjusts low range mix level.
Mic Type
SM57
Simulation of SM57 mic suitable for recording of various analog
instruments as well as guitars.
MD421
Simulation of MD421 professional standard mic indispensable for
broadcasting, recording and live applications
U87
Simulation of U87, a standard condenser type microphone used in
studios worldwide.
C414
Simulation of C414, a famous microphone highly trusted in recording
situations.
Parameter descriptions
Parameter
name
Setting range Description
Depth
0~100 Adjusts modulation depth.
Resonance
−10~10
Adjusts resonance intensity. Negative values result in reversed phase
for the effect sound.
Color
4Stage ,8Stage, Invert4, Invert8 Selects sound type.
LFO Shift
0~180 Adjusts left/right phase shift.
Width
0~10 Adjusts auto pan width.
Rate
0~50
(P.86 Table 1)
Adjusts modulation rate. Using the rhythm tempo as reference,
setting in note units is also possible.
Clip
0~10 Adds emphasis by clipping the modulation waveform.
Shift
−12~12,24
For an explanation of types and parameters, see CLEAN, DISTOR-
TION, ACO/BASS SIM algorithms.
Time
Delay, Echo: 1~2000ms
(P.86 Table 1)
Adjusts delay time.
Doubling: 1~100ms
Feedback
0~100 Adjusts feedback amount.
Mix
0~100 Adjusts mix ratio of effect sound to original sound.
Tone
0~10 Adjusts tonal quality.
Fine
−25~25 Adjust pitch shift amount in cent (1/100 semitone) units.
Balance
0~100 Adjust balance between original sound and effect sound.
Rise1
0~30 Adjusts stereo component intensity.
Rise2
0~30 Adjusts mono component intensity.
Freq Offset
1~30 Adjusts LFO offset.
Filter Type
HPF, LPF, BPF Selects filter type.
Resonance
1~30 Adjusts resonance intensity.
EFX Level
0~100 Adjusts effect sound level.
Dry Level
0~100 Adjusts original sound level.
Tone
0~10 Adjusts tonal quality.
EFX Level
0~100 Adjusts effect sound level.
Dry Level
0~100 Adjusts original sound level.
Type Parameters/Descriptions
Chorus
Depth Rate Mix
Mixes a variable pitch-shifted component with the original sound, resulting in full-bodied resonating tone.
Flanger
Depth Rate Resonance
Produces a resonating and strongly undulating sound.
Phaser
Rate Color LFO Shift
Produces a swooshing sound.
Tremolo
Depth Rate Clip
Periodically varies the volume level.
Auto Pan
Width Rate Clip
Shifts the panning position of the sound between left and right.
Pitch
Shift Tone Fine Balance
This effect shifts the pitch up or down.
Ring
Modulator
For an explanation of types and parameters, see CLEAN, DISTORTION, ACO/BASS SIM algorithms.
Delay
Time Feedback Mix
Delay effect with a maximum setting of 2000 ms.
Echo
Time Feedback Mix
Warm delay effect with a maximum setting of 2000 ms.
Doubling
Time Tone Mix
Doubling effect which creates body by adding a short delay.
Dimension
Rise1 Rise2
Effect producing spatial expansion.
Resonance
Depth Freq Offset Rate Filter Type Resonance EFX Level Dry Level
Resonance filter with LFO.
MOD/DELAY module
Type Parameters/Descriptions
Isolator
Xover Lo Xover Hi Mix High Mix Mid Mix Low
Divides the signal into three frequency bands and allows individual adjustment of the mixing ratio for each band.
Mic Modeling
Mic Type
Changes the character of the built-in microphones.
ISO/MIC MODEL module
3BAND EQ module
Type Parameters/Description
ZNR
For an explanation of types and parameters, see CLEAN, DISTORTION, ACO/BASS SIM algorithms.
ZNR module
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