85
Making Detailed Settings for the ONE TOUCH Tones
DELAY
LINEDRIVE
This reproduces the distortion that occurs when an electrical
circuit is slightly overloaded.
COMPRESSOR
WAH
RING MOD
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the flanger sound (W)
Level 0–127 Output Level
Parameter
Value Description
Delay Mode ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–1300 ms
Delay time from when sound is input to
delay until the delay sound is heard
(ms)
Delay ( ) note (*1)
Delay time from when sound is input to
delay until the delay sound is heard
(note)
Acceleration 0–15
When you change the delay time, this
setting specifies the time over which it
will change from the current delay
time to the new setting. The speed of
pitch change will change together
with the delay time.
Feedback -98– +98%
Specifies the percentage (%) of the
delay sound that will be returned to
the input.
Positive (+) settings return the sound at
the original phase, and negative (-)
settings return the phase-reversed
sound.
HF Damp
200–8000 Hz,
BYPASS
Specifies the frequency at which to cut
the high range of the delay sound
returned to the input.
Choose the BYPASS setting if you
don’t want to cut.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
Parameter Value Description
Strength
SOFT, HARD
HARD produces stronger distortion
than SOFT.
Type 1/2 Varies the nuances of the distortion.
Drive 0–127
Degree of distortion
This also affects the volume.
Low Gain -15– +15 dB Boot or cut in the low end
High Gain -15– +15 dB Boot or cut in the high end
Level 0–127 Output Level
Parameter
Value Description
Parameter Value Description
Attack
0–127
This sets the time it takes until the level
is compressed after the input exceeds
the THRESHOLD.
Threshold 0–127
Adjusts the volume at which
compression begins
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Boot or cut in the low end
High Gain -15– +15 dB Boot or cut in the high end
Level 0–127 Output Level
Parameter
Value Description
Control Type
TOUCH, PEDAL
Effect Control Types
TOUCH:
The tone changes in response
to changes in the volume.
PEDAL:
The tone changes according to
the function of the Manual parameter.
Filter Type LPF, BPF
Filter Type
LPF
: The wah effect will be applied
over a wide frequency range.
BPF
: The wah effect will be applied
over a narrow frequency range.
Manual 0–127
When Control Type is set to “PEDAL,”
you can use this parameter to modify
the tonal character.
Peak 0–100
Adjusts the amount of the wah effect
that will occur in the range of the
center frequency.
Set a higher value to narrow the range
to be affected.
Sens 1–127
When Control Type is set to
“TOUCH,” this adjusts the sensitivity to
the volume used in changing the tone.
Depth 0–127 Depth of modulation
Level 0–127 Output Level
Parameter
Value Description
Frequency
0–127
Adjusts the frequency at which
modulation is applied.
Sens 0–127
Adjusts the amount of frequency
modulation applied.
Polarity UP, DOWN
Determines whether the frequency
modulation moves towards higher
frequencies (UP) or lower frequencies
(DOWN).
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output Level
RD-700GX_e.book 85 ページ ２００８年２月１３日 水曜日 午後５時４９分
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