Roland V-Drums TD-50 - Hi-Hat Setup; Adjusting VH-13 Hi-Hat Settings; Adjusting VH-11 Hi-Hat Settings

10
KIT CUSTOMIZE
SUB INST (page 4)
Parameter Value Explanation
[F4] button OFF, SUB ON Turns the sub-instrument on/o.
SUB INST tab
SUB INST
001– (preset)
U001–U500 (user sample)
Sub-instrument number
Reference
For more about instruments, refer to “Instrument List” (p. 42).
Layer Type
These parameters specify how the sub instrument will be sounded.
MIX
Playing
Dynamics
Volume
The main instrument (A) and sub instrument (B) always sound together as
a layer.
FADE1
Volume
Playing
Dynamics
The sub instrument (B) is added as a layer only if the strike is stronger than
“Fade Point.”
FADE2, FADE3
Volume
Playing
Dynamics
If the strike is stronger than “Fade Point,” the sub instrument (B) is added as
a layer according to the strength of that strike.
FADE2:
At 127 or higher, the main instrument (A) and sub instrument (B) are the
same volume.
FADE3:
At 127+32, the main instrument (A) and sub instrument (B) are the same
volume (for pads that support digital connection).
SWITCH
Volume
Playing
Dynamics
Strikes weaker than “Fade Point” sound the main instrument (A), and strikes
stronger than “Fade Point” switch to sound the sub instrument (B).
Fade Point 1–127+32
Species the force of the strike at which the sub instrument begins to be sounded.
If this is “1,” the sub instrument is sounded by a strike of any force.
If this is “127” (“127+32” for a pad that supports digital connection), the sub instrument is sounded
only by the strongest strike.
* This is not available if Layer Type is “MIX.”
Sub Volume -INF–+6.0 dB Volume of the sub-instrument
V-EDIT tab
Reference
For details on the parameters that can be edited, refer to “INSTRUMENT (page 1)” (p. 6).
OTHER tab
Mic Position OUTSIDE4–STANDARD–INSIDE4 Tonal change caused by mic position
Mic Overhead -INF–+6.0 dB Volume of the overhead mics
Mic Room -INF–+6.0 dB Volume of the room mics
Mic Width -5–+5 Spread of the overhead mics and the room mics
Transient Sw OFF, TRANSIENT ON Transient on/o
Transient Time 1–10 Time over which the attack changes
Transient Attack -100–+100 Adjustment of the attack
Transient Release -100–+100 Adjustment of the release
Transient Gain -12.0–+6.0 dB Volume following transient adjustment
* For some instruments, these settings are not available.