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Roland V-Drums TD-50 - Auto Wah; Od;Ds 0 Twah; Lofi Compress; Distortion

Roland V-Drums TD-50
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39
Multi-Eect Parameters
AUTO WAH
Cyclically controls a lter to create cyclic change in timbre.
Parameter Value Explanation
Filter Type LPF, BPF
Type of lter
LPF: The wah eect will be applied
over a wide frequency range.
BPF: The wah eect will be applied
over a narrow frequency range.
Manual 0–127
Adjusts the center frequency at
which the eect is applied.
Peak 0–127
Width of the frequency region at
which the wah eect is applied
Increasing this value will make the
frequency region narrower.
Sens 0–127
Adjusts the sensitivity with which the
lter is controlled.
Polarity UP, DOWN
Direction in which the lter will move
UP: Move toward a higher frequency
DOWN: Move toward a lower
frequency
Tempo Sync OFF, ON
Species whether the modulation
rate is specied as a note value (ON)
or not (OFF).
Rate
0.05–10.00 Hz, note
Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180 deg
Adjusts the degree of phase shift of
the left and right sounds when the
wah eect is applied.
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
OD/DS
0
TWAH
Parameter Value Explanation
Drive Switch OFF, ON Turns overdrive/distortion on/o
Drive Type
OVERDRIVE,
DISTORTION
Type of distortion
Drive 0–127
Degree of distortion
Also changes the volume.
Tone 0–127 Sound quality of the Overdrive eect
Amp Switch OFF, ON Turns the Amp Simulator on/o.
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Touch Wah Switch
OFF, ON Wah on/o
Touch Wah Mode LPF, BPF
Type of lter
LPF: Produces a wah eect in a broad
frequency range.
BPF: Produces a wah eect in a
narrow frequency range.
Touch Wah
Polarity
DOWN, UP
Direction in which the lter will move
UP: Move toward a higher frequency
DOWN: Move toward a lower
frequency
Touch Wah Sens 0–127
Sensitivity with which the lter is
modied
Touch Wah
Manual
0–127
Center frequency at which the wah
eect is applied
Touch Wah Peak 0–127
Width of the frequency region at
which the wah eect is applied
Increasing this value will make the
frequency region narrower.
Touch Wah
Balance
D100:0W–
D0:100W
Volume balance of the sound that
passes through the wah (W) and the
unprocessed sound (D)
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
LOFI COMPRESS
This is an eect that intentionally degrades the tone character for
creative purposes.
Parameter Value Explanation
Pre Filter Type 1–6
Selects the type of lter applied to
the sound before it passes through
the Lo-Fi eect.
1: Compressor o
2–6: Compressor on
LoFi Type 1–9
Degrades the tone character. The
tone character grows poorer as this
value is increased.
Post Filter Type OFF, LPF, HPF
Selects the type of lter applied to
the sound after it passes through the
Lo-Fi eect.
OFF: no lter is used
LPF: cuts the frequency range above
the Cuto
HPF: cuts the frequency range below
the Cuto
Post Filter Cuto 200–8000 Hz Basic frequency of the Post Filter
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
DISTORTION
This is a distortion eect that provides heavy distortion.
Parameter Value Explanation
Drive 0–127
Degree of distortion
Also changes the volume.
Tone 0–127 Sound quality of the Overdrive eect
Amp Sw OFF, ON Turns the Amp Simulator on/o.
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Pan L64–63R Stereo location of the output sound
Level 0–127 Output Level
OVERDRIVE
This is an overdrive that provides heavy distortion. The parameters
are the same as for “DISTORTION.
SATURATOR
A saturator which distorts the sound is connected in parallel with
a compressor, producing a rougher tonal character and boosting
the loudness. This also cuts the low-frequency region of the input
audio.
Parameter Value Explanation
Saturator Gain 0–127 Input volume to the saturator
Saturator Drive 0–127 Degree of distortion
Saturator Level 0–127 Output volume of the saturator
Comp Depth 0–127 Amount of compression
Comp Level 0–127 Output volume of the compressor
Hi Gain -12–+6 dB Gain of the high range
Level 0–127 Output Level

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