Roland V-Drums TD-50 - Reverb; Long Reverb; Super Filter; Filter+Drive

38
Multi-Eect Parameters
REVERB
Adds reverberation to the direct sound, simulating an acoustic
space.
Parameter Value Explanation
Type
ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Type of reverb
Pre Delay 0.0–100 msec
Adjusts the delay time from the
direct sound until the reverb sound
is heard.
Time 0–127 Time length of reverberation
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
the reverberant sound will be cut
(BYPASS: no cut).
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
LONG REVERB
This is a very rich sounding reverb with a choice of character.
Parameter Value Explanation
Depth 0–127 Depth of the eect
Time 0–127 Time length of reverberation
Pre LPF
16–15000 Hz,
BYPASS
Frequency of the lter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)
Pre HPF
BYPASS,
16–15000 Hz
Frequency of the lter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Peaking Freq 200–8000 Hz
Frequency of the lter that boosts/
cuts a specic frequency region of
the input sound
Peaking Gain -15–+15 dB
Amount of boost/cut produced by
the lter at the specied frequency
region of the input sound
Peaking Q 0.5–8.0
Bandwidth of the lter that boosts or
cuts the specied frequency region
of the input sound
HF Damp
16–15000 Hz,
BYPASS
Frequency at which the high-
frequency content of the resonant
sound will be cut (BYPASS: no cut)
LF Damp
BYPASS,
16–15000 Hz
Frequency at which the low-
frequency content of the resonant
sound will be cut (BYPASS: no cut)
Character 1–6 Type of reverb
EQ Low Freq 200–400 Hz Center frequency of the low region
EQ Low Gain -15–+15 dB Gain of the low range
EQ High Freq 2000–8000 Hz Center frequency of the high region
EQ High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
SUPER FILTER
This is a lter with an extremely sharp slope. The cuto frequency
can be varied cyclically
Parameter Value Explanation
Filter Type
Filter type
Frequency range that will pass through each lter
LPF Frequencies below the cuto
BPF
Frequencies in the region of the
cuto
HPF Frequencies above the cuto
NOTCH
Frequencies other than the region of
the cuto
Filter Slope
Amount of attenuation per octave
-12 dB Gentle
-24 dB Steep
-36 dB Extremely steep
Filter Cuto 0–127
Cuto frequency of the lter
Increasing this value will raise the
cuto frequency.
Filter Resonance 0–127
Filter resonance level
Increasing this value will emphasize
the region near the cuto frequency.
Filter Gain 0–+12 dB Amount of boost for the lter output
Modulation Sw OFF, ON On/o switch for cyclic change
Modulation Wave
How the cuto frequency will be modulated
TRI Triangle wave
SQR Square wave
SIN Sine wave
SAW1 Sawtooth wave (upward)
SAW2 Sawtooth wave (downward)
SAW1 SAW2
Tempo Sync OFF, ON
Species whether the modulation
rate is specied as a note value (ON)
or not (OFF).
Rate
0.05–10.00 Hz,
note
Rate of modulation
Depth 0–127 Depth of modulation
Attack 0–127
Speed at which the cuto frequency
will change
This is eective if Modulation Wave is
SQR, SAW1, or SAW2.
Level 0–127 Output Level
FILTER+DRIVE
This is a low-pass lter equipped with overdrive. It cuts the upper
range and adds distortion.
Parameter Value Explanation
Cuto 0–127
Cuto frequency of the lter
Increasing this value will raise the
cuto frequency.
Resonance 0–127
Filter resonance level
Increasing this value will emphasize
the region near the cuto frequency.
Drive 0–127 Amount of distortion
Level 0–127 Output Level