Strymon TimeLine - Overview of Delay Machine Types; Digital Delay

TimeLine - User Manual
®
pg 11
REPEAT DYNAMICS: Reduces the Repeats in a non-linear fashion so
that the delay tapers off faster than it normally would.
The effect is most easily heard with high Repeats
levels, allowing for high repeats that trail off to allow
the next phrase or chord to stand out more.
SMEAR: Softens the attack of the repeats while maintaining
full frequency response. This allows for higher mix
levels while keeping the delay out of the way of the
dry signal. With high Repeats levels, the delayed
signal gets dreamy and ethereal.
OFF
|||||||||
REC / DUB PLAY
STOP
TYPE
REVERSE
FILTER
DUAL
DIGITAL
dBUCKET
PATTERN
dTAPE
BANK / TIME
hold (looper)
hold (save)
push (param)
ICE
TREM
DUCK
SWELL
®
LO-FI
VALUE
FILTER
GRIT SPEED DEPTH
B TAPA
TIME
REPEATS MIX
MOD
BANK DOWN BANK UP
hold (global)
A classic crystal-clear “voiced” digital delay. A wide range of delay
tones are possible by tweaking the Filter, Grit and Modulation controls.
Modern to classic 80’s delay tones are easily achievable with this delay
machine.
PARAMETERS:
OFF
20Hz
40Hz
60Hz
80Hz
100Hz
120Hz
140Hz
160Hz
180Hz
200Hz
230Hz
260Hz
300Hz
350Hz
400Hz
OFF
ON
500Hz
600Hz
700Hz
800Hz
900Hz
HIGH PASS: Reduces the low frequency content of the wet signal
after the delay. A useful additional tone sculptor for
delays on low-note riffs or chords where you want to
reduce booming in your rig.
TIPS & TRICKS: The HIPASS parameter can be very effective in
producing bright repeats for a ‘super-clean’ digital delay. Set the
Filter and GRIT knobs to minimum position for full bandwidth and
experiment.
Set GRIT and FILTER knobs to 12:00 for an “analog-voiced” digital
delay, or try GRIT at minimum and FILTER at maximum for a “tape-
voiced” digital delay.
Delay Machines: Digital