Strymon TimeLine - Page 13

TimeLine - User Manual
®
pg 13
CONFIGURATION: Select from a series or parallel dual delay setup.
In series, Delay 1 feeds Delay 2, just as if you had
two independent stereo delays connected on your
pedalboard. In parallel configuration, the input signal
goes to Delay 1 and Delay 2 simultaneously, and the
output of the two delays are fed to the Left and Right
channels respectively (or summed to the Left channel
in Mono operation).
SERIES
PARA
TIPS & TRICKS: Set the CONFIG param to PARALLEL to get
independent Right and Left channel delay lines (the two parallel
delays will be summed to mono in mono operation - very useful for
rhythmic delays). This also allows for a ‘wet - dry’ stereo setup as
follows:
CONFIG param to PARALLEL ::: Turn the MIX knob to minimum
(dry) ::: Set RPT2 param to TRACK ::: Set TIME2 param to 1:1 :::
Set MIX2 param to set the level of the delays.
Now the knobs on the machine will control Delay2 (Right channel),
while Delay1 (Left channel) is dry only (since MIX knob is minimum).
The repeats will only be heard from the Right channel.
Delay Machines: Dual Continued
OFF
20Hz
40Hz
60Hz
80Hz
100Hz
120Hz
140Hz
160Hz
180Hz
200Hz
230Hz
260Hz
300Hz
350Hz
400Hz
500Hz
600Hz
700Hz
800Hz
900Hz
HIGH PASS: Reduces the low frequency content of the wet signal
after the delay. A useful additional tone sculptor for
delays on low-note riffs or chords where you want to
reduce booming in your rig.