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ADOBE PREMIERE PRO 2.0
User Guide
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289
291
Table of Contents
Main Page
Default Chapter
3
Table of Contents
3
Chapter 1: Getting Started with Adobe Premiere Pro
7
Installation and Registration
7
Adobe Help Center
8
To Check for Updates
8
To Set Adobe Help Center Preferences
8
To Add Contact Information in more Resources
9
To Display more Resources
9
To View Support Documents
9
Using Help
9
To Navigate Help
10
To Search Help Topics
10
Search Tips
11
Tips, Training, and Other Resources
11
To Change the View
11
To Print a Topic from Help
11
Resource Center
12
Total Training Video Workshop DVD
12
Customizable Efficient Workspaces
14
Extras and Other Downloads
14
New Features
14
Uncompressed HD Support
14
Chapter 2: Workflow and Workspace
16
Workflow and Workspace Basics
16
Workflow Overview
16
Assemble and Refine a Sequence
17
Project Panel and Capture Panel
17
Add Titles
18
Add Transitions and Effects
19
MIX Audio
20
Export
21
About the Adobe Workspace
22
Export Settings Dialog Box and DVD Layout Panel
22
About the Info Panel
23
To Display Menus
23
Customizing the Workspace
24
Drop Zones
24
Grouping
24
Using Tools
24
To Dock or Group Panels
25
To Close a Panel or Window
26
To Open a Panel in a Floating Window
26
To Resize Panel Groups
26
Working with Multiple Monitors
26
Predefined Workspaces
27
To Brighten or Darken the User Interface
27
To Create or Modify a Workspace
27
To Use an Adobe Workspace
27
To Use the Events Panel
27
To Delete a Workspace
28
About Project Settings
29
Chapter 3: Projects
29
Project Basics
29
To Create a Project
29
Capture Settings
30
Default Sequence
30
General Settings
30
To Customize Project Settings
30
Editing Mode
31
Frame Size
31
Playback Settings
31
Timebase
31
Maximum Bit Depth
33
To Open a Project
33
Video Rendering Settings
33
To Locate Missing Files
34
To Save a Project
34
To Skip Missing Files
34
About Aspect Ratio
35
Frame Aspect Ratio
35
To Change the Auto Save Settings
35
To Open an Auto Save Project
35
NTSC Displays
36
Pixel Aspect Ratio
37
Using Assets with Various Aspect Ratios
37
To Change Pixel Aspect Ratios
38
To Scale Assets Automatically
38
To Scale Assets Manually
38
About Square-Pixel Footage
39
To Correct Recurring Misinterpretations
39
24P Projects
40
Common Pixel Aspect Ratios for Assets
40
To Create a 24P Project
41
To Set 24P Playback Options
41
To Simulate Film Transfer
41
About 24P Timecode
42
About Scratch Disks
42
Improving Performance
42
To Display 24P Source Timecode
42
Maximizing Scratch Disk Performance
43
To Specify Scratch Disks
43
Correcting Mistakes
44
History Panel
44
To Work with the History Panel
45
About Adobe Bridge
46
Chapter 4: Adobe Bridge
46
The Basics of Bridge
46
The Bridge Work Area
46
To Create and Close Bridge Windows
47
To Start and Quit Bridge, and to Return to an Application
47
To Use Bridge in Compact Mode
47
To Adjust the Bridge Window
48
To Select Bridge Workspaces
48
Bridge General Preferences
49
To Save and Delete Bridge Workspaces
49
To Set Bridge Preferences
49
Bridge Advanced Preferences
50
To Work with the Cache in Bridge
50
Files and Folders in Bridge
51
To Specify How Files and Folders Are Shown in Bridge
51
To View File and Folder Thumbnails in Bridge
51
To Navigate Folders and Files with Bridge
52
To Open Files in Bridge
52
To Select Files in Bridge
52
To Manage Files with Bridge
53
To Label Files with Bridge
54
To Manage Folders with Bridge
54
To Rotate Images with Bridge
54
To Rate Files with Bridge
55
To Search for Files and Folders with Bridge
55
Running Automated Tasks with Bridge
56
To Batch-Rename Files with Bridge
56
To Run Automated Tasks with Bridge
56
To Search with Criteria Saved as Collections
56
About Metadata
57
About the Metadata Panel in Bridge
57
Metadata in Bridge
57
To Edit Metadata with Bridge
58
To View Metadata with Bridge
58
To Add Metadata Using the File Info Dialog Box
59
To Specify the Metadata Displayed in the Metadata Panel
59
To Apply Metadata Templates to Files in Bridge
60
To Work with Metadata Templates in Bridge
60
To Apply Keywords to Files with Bridge
61
Adobe Stock Photos
62
Searching for Images in Adobe Stock Photos
62
To Search for Stock Photos
63
To Search with Related Keywords
63
To Use Advanced Search
63
Search Tips for Stock Photos
64
To View Image Price and Keywords
64
Buying Stock Photos
65
Comp Images
65
To Download Comps from Adobe Stock Photos
65
To View Saved Comps in Stock Photos
65
To Buy Photos
66
To Place Photos in the Shopping Cart
66
Benefits of Stock Photos Accounts
67
Stock Photos Accounts
67
To View Order Details
67
To Change Stock Photos Account Address Information
68
To Create a Stock Photos Account
68
To Edit Your Stock Photos Account Profile
68
To Log into Your Stock Photos Account
68
To Change Stock Photos Account Payment Information
69
To Download Previously Purchased Images from Stock Photos
69
To Set Adobe Stock Photos Preferences
70
Capture Panel
71
Chapter 5: Capturing, Digitizing, and Importing
71
Collecting Assets
71
File Size Limits
72
To Set Capture Preferences
72
To Set the Capture Format
72
Supported Audio File Formats
73
Supported File Formats for Import
73
Supported Still-Image File Formats
73
Supported Video and Animation File Formats
73
About Device Control
74
Supported Video Project File Formats
74
To Set up a Project for Device Control
74
To Set up a Device for Device Control
75
Device Controls in the Capture Panel
76
To Calibrate an RS-422 or RS-232 Device
76
To Control an RS-422 or RS-232 Device
76
Capturing and Digitizing
77
System Requirements for Capturing
77
To Prepare for Digital Video Capture
77
Capturing with Device Control
78
To Capture an Entire Tape
78
To Capture Without Device Control
78
To Select and Capture a Clip
78
Common Capture Issues
79
To Use Automatic Scene Detection
79
About Capture Card Settings
80
Digitizing Analog Video
80
To Determine if Your Device Is Online
80
To Digitize Analog Video
80
Digitizing Analog Audio
81
To Record a Voice-Over
81
To Set the Location for Captured Audio
81
Audio Mixer Recording Controls
82
To Record an Analog Source
82
Batch Capturing
83
To Log Clips for Batch Capturing
84
Capture Panel with Logging Active
85
Tips for Logging Clips Interactively
85
To Log Clips Interactively
85
Specifying Batch-Capture Settings
86
To Batch Capture Clips
86
To Specify Capture Settings
86
To Import and Export Batch Lists
87
Troubleshooting Batch Capturing
87
Offline Files
88
To Create an Offline File
88
To Edit an Offline File
88
To Replace an Offline File with a Captured Source File
88
Timecode
89
To Convert an Online File to Offline
89
Striping or Replacing Timecode
90
To Replace DV Timecode
90
To Stripe a Tape with Timecode
90
Capturing Timecode
91
To Enter Timecode
91
To Set Timecode Manually for a Clip
91
About Online and Offline Editing
92
Importing Files
92
Online and Offline Editing
92
To Recapture Clips
92
Importing Digital Audio
93
Using Audio from Adobe Audition
93
Using Compressed Audio Formats
93
Importing Still Images
94
To Adjust the Pixel Aspect Ratio of an Imported Still Image
94
To Change the Default Duration for Still Images
94
To Change the Duration of a Still Image in the Timeline Panel
94
Importing Illustrator Images
95
Preparing Still Images
95
To Import a Layered Photoshop or Illustrator File
95
Importing Animations
96
Importing Earlier Projects
96
To Import Numbered Still-Image Files as One Clip
96
Importing Libraries
97
Chapter 6: Managing and Viewing Assets
98
Customizing the Project Panel
98
To Add a Column
98
Audio Duration
99
Media Duration
99
To Customize List View Columns
99
Video Duration
99
About Bins
100
Organizing Assets
100
To Define a Different Thumbnail for a Clip
100
Project Panel
101
To Label Assets
101
To Work with Bins
101
About Clip Properties
102
To Duplicate a Clip
102
To See the Properties of a Clip
102
Working with Assets
102
To Play Back a Clip in the Project Panel
103
To Remove an Item from the Project Panel
103
To Remove Unused Assets
103
To Rename an Original Source File
103
About the Source and Program Monitors
104
Source and Program Monitors
104
To Open or Clear a Clip in the Source Monitor
104
Current Time Displays
105
Duration Display
105
Source and Program Monitor Time Controls
105
Time Rulers
105
To Set Display Quality
106
To View Safe Zones in the Monitors
106
To Change Magnification
107
To Choose a Display Mode
107
Playing Assets
108
To Play Video in the Source and Program Monitors
108
To Jog or Shuttle through Frames
109
To Move to a Different Frame in a Time Ruler
109
Reference Monitor
110
To Match a Frame
110
To Open a Reference Monitor
110
Using a Reference Monitor
110
To Gang the Reference Monitor and Program Monitor
111
Assembling and Editing a Sequence
112
Chapter 7: Editing a Sequence
112
Editing Overview
112
About the Timeline Panel
113
Source Clips, Clip Instances, and Subclips
113
Working in the Timeline Panel
113
Navigating in the Timeline Panel
114
Enter Values that Exceed the Normal Values
115
Omit Semicolons (NTSC) or Colons (PAL)
115
To Move the Current-Time Indicator Using Timecode
115
To Position the Current Time in the Timeline Panel
115
To Navigate the Timeline Panel by Screenfuls
116
To Snap to Clip Edges and Markers
116
To Zoom into a Clip as You Drag It
116
To Zoom out in the Timeline Panel
116
To Expand and Resize a Track
117
To Select a Video Track’s Display Style
117
To Set a Sequence’s Starting Time
117
Working with Tracks
117
To Adjust Visible Area of Video and Audio Tracks
118
To Exclude Tracks in a Sequence
118
To Lock and Unlock Tracks
118
To Resize the Track Header Section
118
To Add Tracks
119
To Delete Tracks
119
To Rename a Track
119
Trimming Clips in the Source Monitor
119
To Move in and out Points Together
120
To Set Clip in and out Points in the Source Monitor
120
To View in and out Frames in the Source Monitor
120
Adding Clips to a Sequence
121
Assembling a Sequence
121
To Cue to an in or out Point
121
To Remove Clip in and out Points
121
About Insert and Overlay Edits
122
To Specify Source Tracks to Add to a Sequence
122
Targeting Tracks
123
To Add a Clip to a Sequence by Dragging
124
To Add a Track While Adding a Clip
125
To Remove Sequence in and out Points
125
To Set Sequence in and out Points
125
To Set Sequence in and out Points Around a Selection
125
To Perform a Four-Point Edit
126
To Perform a Three-Point Edit
126
Method
127
Ordering
127
Placement
127
To Add Clips to a Sequence Automatically
127
To Trim a Clip in the Timeline Panel
128
Trimming Clips in a Sequence
128
Trimming Using Ripple and Rolling Edits
128
Program Monitor During a Ripple or Rolling Edit
129
To Perform a Ripple Edit
130
To Perform a Rolling Edit
130
Trimming Using Slip and Slide Edits
130
To Perform a Slip Edit
131
To Display the Edit Point You Want to Trim
132
To Perform a Slide Edit
132
To View Source Timecode When Trimming
132
Using the Trim Monitor
132
Changing Clip Attributes
133
To Change Duration
133
To Perform a Rolling Edit Using the Trim Monitor
133
Changing Clip Speed
134
Duration
134
Speed
134
About Interlaced and Noninterlaced Video
135
To Blend Frames for Smooth Motion
135
To Change a Clip’s Speed Using the Rate Stretch Tool
135
To Freeze a Video Frame
135
To Create Interlaced or Non-Interlaced Clips
136
Flicker Removal
137
To View the Source of a Clip in a Sequence
137
Working with Clips in a Sequence
137
To Copy and Paste at the Current-Time Indicator
138
To Select One or more Clips
138
To Copy Attributes
139
To Enable or Disable a Clip
139
To Group Clips
139
Rearranging Clips in a Sequence
140
To Enable and Disable the Snap Feature
140
To Snap a Clip
140
To Split a Single Clip or Multiple Clips
140
To Delete All Clips on One Track
141
To Delete Space between Clips
141
To Extract Frames and Close Gap
141
To Lift Frames
141
Previewing a Sequence
142
Previewing at the Project’s Full Frame Rate
142
To Move a Clip to a Different Track
142
To Move a Clip Using the Keypad
142
To Rearrange Clips in the Timeline Panel
142
To Set the Area to be Previewed
143
Previewing on a Monitor Using a Video Card
144
To Preview Via a DV Camera or Deck
144
To Scroll the Timeline Panel During Preview
144
To Delete Preview Files
145
To Specify the Disk Location for Preview Files
145
Working with Preview Files
145
About Markers
146
Chapter 8: Editing: Beyond the Basics
146
To Add an Unnumbered Clip Marker
146
Using Markers
146
To Add a Numbered Marker
147
To Go to a Clip Marker in the Source Monitor
147
To Go to a Clip or Sequence Marker in the Timeline Panel
147
To Move a Marker
147
About Sequence Marker Comments, Chapters, and Links
148
DVD Chapters
148
Marker Comments
148
To Delete a Marker
148
Editing Audio in the Timeline Panel
149
Setting Sample-Based Audio in and out Points
149
Linking Video and Audio Clips in the Timeline Panel
150
To Use Audio Samples in the Source or Program Monitor
150
To Use Audio Samples in the Timeline Panel
150
Creating Split Edits
151
To Automatically Synchronize Clips that Were Moved out of Sync
151
To Edit Tracks of Linked Clips Individually
151
To Link or Unlink Video and Audio
151
Creating Special Clips
152
To Create a Counting Leader
152
To Create a Split Edit
152
To Set Source in and out Points for a Split Edit
152
To Create a Transparent Video Clip
153
To Create Black Video
153
To Create Color Bars and a 1-Khz Tone
153
To Use Multiple Sequences
153
Nesting Sequences
154
About Subclips
155
To Nest a Sequence in Another Sequence
155
To Open the Source of a Nested Sequence
155
To Reveal a Source Frame from a Nested Sequence
155
About Multi-Camera Editing
156
Editing a Multi-Camera Sequence
156
To Adjust Media Start and End Times of a Subclip
156
To Convert a Subclip to a Master Clip
156
To Create a Subclip
156
Add Clips from Multiple Cameras to a Sequence
157
Create the Multi-Camera Target Sequence
157
Record the Multi-Camera Edits
157
Synchronize the Clips in the Sequence
157
To Add Clips for Multi-Camera Editing
158
To Synchronize Clips
158
To Create a Multi-Camera Target Sequence
159
To Record Multi-Camera Edits
159
To Adjust Multi-Camera Edits in the Timeline Panel
160
To Play Clips in the Multi-Camera Monitor
160
To Rerecord Multi-Camera Edits
160
To Create a New Photoshop File in Your Project
161
To Edit an Image File in Photoshop
161
To Insert or Overlay Clips in a Multi-Camera Sequence
161
Working in Other Applications
161
Copying between after Effects and Adobe Premiere Pro (Windows Only)
162
Copying from after Effects to Adobe Premiere Pro (Windows Only)
162
To Copy and Paste between Adobe after Effects and Adobe Premiere Pro
162
Copying from Adobe Premiere Pro to after Effects (Windows Only)
163
To Copy from after Effects to Adobe Premiere Pro (Windows Only)
163
About Adobe Dynamic Link (Adobe Production Studio Only)
164
Adobe Dynamic Link
164
To Copy from Adobe Premiere Pro to after Effects (Windows Only)
164
Managing Performance and Adobe Dynamic Link
165
Saving and Adobe Dynamic Link (Adobe Production Studio Only)
165
Color and Adobe Dynamic Link (Adobe Production Studio Only)
166
To Link to a New Composition with Adobe Dynamic Link
166
To Link to an Existing Composition with Adobe Dynamic Link
166
About Offline Compositions and Adobe Dynamic Link
167
To Delete a Dynamically Linked Composition or Clip
167
To Edit a Dynamically Linked Composition in after Effects
167
To Relink a Dynamically Linked Composition
168
To Take a Dynamically Linked Composition Offline
168
About Transitions
169
Chapter 9: Transitions
169
Transition Overview
169
Transition Workflow
169
Clip Handles and Transitions
170
Single- and Double-Sided Transitions
170
Adding Transitions
171
Default Transitions
172
To Add a Transition
172
To Add the Default Transition between Clips
172
Fine-Tuning Transitions
173
To Replace a Transition
173
To Set the Duration of the Default Transition
173
To Specify a Default Transition
173
Adjusting Transition Alignment
174
To Align a Transition in the Timeline Panel
174
To Align a Transition Using the Effect Controls Panel
175
To Move a Cut and Transition Together
175
Changing Transition Duration
176
To Change Transition Duration in the Effect Controls Panel
176
To Change Transition Duration in the Timeline Panel
176
To Reposition the Center of a Transition
176
Customizable Transitions
177
To Change Transition Settings
177
To Use an Image as a Transition Mask
177
To Create a Gradient Wipe Transition
178
To Use the Card Flip Transition
178
About Audio Tracks in a Sequence
179
Chapter 10: Audio
179
Working with Audio
179
About Channels in Audio Clips
180
Audio Workspace
181
Mixing Audio Tracks and Clips
181
Processing Order for Audio
181
Audio Mixer
182
Audio Mixer Playback Controls
183
To Modify the Audio Mixer
183
To Monitor Specific Tracks in the Audio Mixer
184
To View Audio Clips
184
To View Time in Audio Units
184
Viewing Audio Data
184
Making Quick Audio Adjustments
185
To Extract Audio from Clips
185
To Render and Replace Audio in a Sequence
185
Working with Clips, Channels, and Tracks
185
Mapping Audio Channels
186
To Map Audio Channels in a Clip
186
To Break out the Channels in an Audio Clip
187
To Use a Mono Clip as Stereo
187
Track Formats for Mapping Source Audio Channels
187
Linking Multiple Audio Clips
188
To Edit a Multi-Clip Link in the Source Monitor
189
To Link Audio Clips in the Timeline Panel
189
About Recording Audio
190
Recording Audio
190
To Prepare the Input Channel for Recording
190
To Mute Input During Recording
191
To Record Audio
191
Adjusting Gain and Volume
192
Adjusting Volume Levels
192
Audio Output Mapping
192
To Set the Audio Output Mapping
192
To Adjust the Volume in the Timeline Panel
193
To Specify the Gain Level for a Clip
193
To Adjust the Volume in the Effect Controls Panel
194
To Mute a Track in the Audio Mixer
194
To Set a Uniform Track Output Level in the Audio Mixer
194
Audio Transitions
195
To Apply Fade in or Fade out to the Audio of a Clip
195
To Crossfade between Two Audio Clips
195
Working with Audio Transitions
195
About Panning and Balancing
196
Panning and Balancing
196
To Adjust or Customize an Audio Transition
196
Panning and Balancing in the Audio Mixer
197
Advanced Mixing
198
To Pan or Balance a Track in the Timeline Panel
198
To Pan or Balance a Track Routed to a 5.1 Surround Track
198
To Pan or Balance a Track Routed to a Stereo Track
198
About Sends
199
To Create a Submix in the Timeline Panel
199
To Simultaneously Create a Submix and Assign a Send
199
To Edit Send Settings
200
To Send a Track to a Submix
200
Downmixing to Fewer Channels
201
To Translate 5.1 Audio to Stereo or Mono
201
To Work with Sends
201
Applying Audio Effects to Clips
202
Routing Track Output
202
Applying Audio Effects in the Audio Mixer
203
To Apply a Track Effect in the Audio Mixer
203
To Designate a Track Effect as Pre-Fader or Post-Fader
204
To Edit Track Effects in the Timeline Panel
204
To Remove or Bypass a Track Effect in the Audio Mixer
204
Working with VST Effects
204
Automating Audio Changes
205
Automating Audio Changes in the Audio Mixer
205
To Adjust a VST Effect in a VST Editor Window
205
To Select a Preset for a VST Effect
205
To Automate Track Properties over Time Using the Audio Mixer
206
Editing Audio in Adobe Audition
207
To Preserve a Track Property During Write Automation
207
To Set Automatch Time for Touch Mode
207
To Specify the Automated Keyframe Creation
207
To Edit Audio in Adobe Audition from the Project Panel
208
To Edit Audio in Adobe Audition from the Timeline Panel
208
Chapter 11: Using the Titler
209
Creating Titles
209
About Titles
210
To Create a New Title
210
To Create a Title Based on the Current Title
210
To Open a Title in the Active Project
210
About Templates
211
To Export a Title as an Independent File
211
To Load a Template
211
Using Title Templates
211
Designing Titles for Television
212
To Create a Template from an Open Title
212
To Rename or Delete a Template
212
To Set or Restore a Default Template
212
About Text for Titles
213
About Title-Safe and Action-Safe Margins
213
To Type Horizontal or Vertical Text in a Text Box
214
To Type Text Along a Path
214
To Type Text Without Boundaries
214
About Formatting and Fonts
215
To Edit and Select Text
215
To Specify a Font
215
To Change Characters in the Font Browser
216
To Change Text Orientation
216
To Change the Font Size
216
To Specify Text Properties
216
To Change Paragraph Alignment
217
To Reflow Paragraph Text
217
Using Tabs
217
Working with Paragraph Text
217
To Delete a Tab Stop
218
To Set and Adjust a Tab Stop
218
Adding Shapes and Images
219
To Create Shapes
219
To Change the Shape of a Graphic Object or a Logo
220
To Draw Curves with the Pen Tool
220
To Draw Straight Segments with the Pen Tool
220
Adjusting Points and Curves
221
To Add an Anchor Point to a Path
221
To Adjust a Control Point
222
To Change the Curve of a Segment
222
To Convert Anchor Points from One Type to Another
222
To Delete an Anchor Point
222
Adding Images
223
To Place a Logo in a Text Box
223
To Place a Logo in a Title
223
To Set Options for Open and Closed Bezier Shapes
223
Aligning and Distributing Objects
224
To Change the Stacking Order of Objects
224
Working with Objects in Titles
224
About Transforming Objects
225
To Align Objects in Titles
225
To Center Objects in Titles
225
To Distribute Objects in Titles
225
To Change the Rotation Angle of Objects
226
To Distort an Object or Multiple Objects
226
To Scale Objects
226
About Object Properties
227
Adding Color, Fills, Texture, Strokes, and Shadows
227
To Set an Object’s Fill
227
4-Color Gradient
228
Fill Types
228
To Add a Sheen
228
To Load a Texture
228
Alignment Object X, Alignment Object y
229
Alpha Scale
229
Blending MIX
229
Scaling Object X, Scaling Object y
229
To Add a Stroke to an Object
230
To Change the Listing Order of Strokes
230
To Delete Strokes from an Object or Text
230
About Styles
231
To Create a Drop Shadow
231
Working with Styles
231
To Apply a Style to an Object
232
To Change the Default Characters in Swatches
232
To Create a Style
232
To Modify the Style Swatch Display
232
Creating Rolls and Crawls
233
Rolling and Crawling Titles
233
To Manage Style Libraries
233
To Convert a Title from One Type to Another
234
To Create a Rolling or Crawling Title
234
Roll/Crawl Timing Options
235
About Keyframes
236
Animating Effects
236
Chapter 12: Animation
236
Working with Keyframes
236
To View Keyframes in the Effect Controls Panel
237
Viewing Keyframes and Graphs
237
Displaying Keyframes in the Timeline Panel
238
Keyframe Tool Tip
239
To View Keyframes and Properties in the Timeline Panel
239
Track Keyframe Controls in Timeline Panel
239
Activating and Selecting Keyframes
240
To Activate Keyframing
240
To Move the Current-Time Indicator to a Keyframe
241
Adding and Setting Keyframes
242
To Add Keyframes for Animating
242
To Select Keyframes
242
To Delete Keyframes
243
Effect Property’s Value and Velocity Graphs
244
To Edit Keyframe Graphs in the Effect Controls Panel
244
Specifying Keyframe Values in the Timeline Panel
245
To Edit Keyframe Graphs in the Timeline Panel
245
To Optimize Keyframe Automation
245
Moving and Copying Keyframes
246
To Copy and Paste Keyframes in the Effect Controls Panel
246
To Move Keyframes
246
Copying and Pasting Keyframes in the Timeline Panel
247
To Copy and Paste Keyframes in the Timeline Panel
247
About Interpolation
248
Controlling Effect Changes Using Keyframe Interpolation
248
To Change a Keyframe’s Interpolation Method
248
Controlling Change Using Bezier Keyframe Interpolation
249
To Create Bezier Keyframes
249
To Adjust Bezier Handles
250
To Fine-Tune the Speed of an Effect
250
Animating Clips with the Motion Effect
251
Motion Effect
251
To Adjust Position, Scale, and Rotation
252
Animating Motion in the Program Monitor
253
To Animate a Clip in the Program Monitor
254
To Change Position Keyframes in a Motion Path
255
About Fixed Effects
256
Chapter 13: Applying Effects
256
Working with Effects
256
About Clip-Based and Track-Based Effects
257
About Standard Effects
257
Using Effects from Other Products
257
About GPU-Accelerated Effects
258
Applying, Removing, and Organizing Effects
258
Using the Effects Panel
258
Working with Discontinued Effects
258
To Apply an Effect to a Clip
259
To Create Bins of Favorite Effects
259
To Remove a Custom bin
259
To Copy and Paste One or more Effects
260
To Remove an Effect from a Clip
260
About the Effect Controls Panel
261
Adjusting Effects
261
Effect Controls Panel
262
To Adjust or Reset Controls in the Effect Controls Panel
263
Customizing Effect Presets
264
To Create Markers in the Effect Controls Panel
264
To Disable or Enable Effects in a Clip
264
To Apply an Effect Preset
265
To Create and Save an Effect Preset
265
To Work with a Custom or Presets bin
265
Adjusting Color and Luminance
266
Color and Luminance
266
Fast Color Corrector
267
Luma Corrector
267
Luma Curve
267
To Set up a Color Correction Workspace
267
To Apply the Color Correction Effects
268
To Quickly Remove a Color Cast
269
Auto Black Level
270
Auto Contrast
270
Auto White Level
270
To Make Quick Luminance Corrections
270
Balance Angle
271
Balance Gain
271
Balance Magnitude
271
Color Balance, Angle, and Saturation Controls
271
To Adjust Color Balance and Saturation
272
To Adjust Color and Luminance Using Curves
273
To Adjust Luminance Using Levels
274
About the Adobe Color Picker
276
Black Input Level Slider
276
Gray Level Eyedropper
276
White Level Eyedropper
276
To Define the Tonal Ranges in a Clip
277
To Specify a Color or Range of Colors to Adjust
278
Special Color and Luminance Adjustments
279
To Match the Color between Two Scenes
279
To Replace a Color
280
To MIX Color Channels in a Clip
281
To Remove Color in a Clip
281
To Adjust Brightness Using Convolution
282
To Isolate a Single Color Using Color Pass
282
To Use Lighting Effects
283
About the Vectorscope and Waveform Monitors
285
To Apply Lighting Effects Textures
285
Vectorscope
286
YC Waveform
286
Chroma
287
Intensity
287
RGB Parade
287
Ycbcr Parade
287
RGB Parade Scope
288
To View a Scope
288
Chapter 14: Effects: Reference
289
Gallery of Effects
289
Adjust Effects
291
Auto Color, Auto Contrast, and Auto Levels Effects
291
Brightness & Contrast Effect
291
Temporal Smoothing
291
Color Balance Effect
292
Convolution Kernel Effect
292
Extract Effect
292
Levels Effect
292
Lighting Effects Effect
293
Posterize Effect
293
Procamp Effect
293
Shadow/Highlight Effect
293
Antialias Effect
294
Blur and Sharpen Effects
294
Camera Blur Effect
294
Threshold Effect
294
Channel Blur Effect
295
Compound Blur Effect
295
Directional Blur Effect
295
Fast Blur Effect
295
Gaussian Blur Effect
296
Gaussian Sharpen Effect
296
Ghosting Effect
296
Radial Blur Effect
296
3D Glasses Effect
297
Channel Effects
297
Convergence Offset
297
Left View, Right View
297
About Ghost Effects
298
About Red, Blue, and Green Lenses
298
Arithmetic Effect
298
Blend Effect
299
Blending Mode
299
Calculations Effect
299
Input Channel
299
Cineon Converter Effect
300
Compound Arithmetic Effect
301
Invert Effect
301
Set Matte Effect
302
Solid Composite Effect
302
Color Correction Effects
303
Fast Color Corrector Effect
303
Luma Corrector Effect
304
Luma Curve Effect
305
RGB Color Corrector Effect
306
RGB Curves Effect
308
Shadow Threshold, Shadow Softness, Highlight Threshold
309
Three-Way Color Corrector Effect
309
Three-Way Hue Balance and Angle
309
Tonal Range
309
Video Limiter Effect
311
Bend Effect
312
Corner Pin Effect
312
Distort Effects
312
Lens Distortion Effect
312
Magnify Effect
313
Mirror Effect
314
Offset Effect
314
Polar Coordinates Effect
314
Ripple Effect
315
Spherize Effect
315
Transform Effect
315
Turbulent Displace Effect
315
Twirl Effect
317
Wave Warp Effect
317
GPU Effects
318
Page Curl Effect
318
Refraction Effect
318
Ripple (Circular) Effect
318
Black & White Effect
319
Change Color Effect
319
Change to Color Effect
319
Image Control Effects
319
Color Balance (HLS) Effect
320
Color Balance (RGB) Effect
321
Color Match Effect
321
Color Offset Effect
321
Color Pass Effect
321
Equalize Effect
322
Gamma Correction Effect
322
PS Arbitrary Map Effect
322
To Apply a Photoshop Arbitrary Map
322
Alpha Adjust Effect
323
Chroma Key Effect
323
Keying Effects
323
Tint Effect
323
To Convert .Acv Files for the PS Arbitrary Map Effect
323
Color Key Effect
324
Difference Matte Key Effect
324
Eight-Point, Four-Point, and Sixteen-Point Garbage Matte Effects
325
Green Screen Key Effect
325
Image Matte Key Effect
325
Luma Key Effect
325
Multiply Key Effect
326
Non Red Key Effect
326
Remove Matte Effect
326
RGB Difference Key Effect
326
Dust & Scratches Effect
327
Median Effect
327
Noise & Grain Effects
327
Noise Effects
327
Noise Alpha Effect
328
Noise HLS and Noise HLS Auto Effects
329
Basic 3D Effect
330
Bevel Alpha Effect
330
Perspective Effects
330
Bevel Edges Effect
331
Drop Shadow Effect
331
Radial Shadow Effect
331
4 Color Gradient Effect
332
Facet Effect
332
Pixelate Effects
332
Render Effects
332
Cell Pattern
333
Cell Pattern Effect
333
Checkerboard Effect
335
Circle Effect
336
Ellipse Effect
337
Eyedropper Fill Effect
337
Grid Effect
338
Lightning Effect
339
Paint Bucket Effect
340
Alpha Glow Effect
341
Ramp Effect
341
Stylize Effects
341
Blend with Original
342
Brush Strokes Effect
342
Color Emboss Effect
343
Emboss Effect
343
Find Edges Effect
343
Leave Color Effect
343
Mosaic Effect
344
Replicate Effect
344
Roughen Edges Effect
344
Solarize Effect
346
Strobe Light Effect
346
Texturize Effect
346
Write-On Effect
347
Echo Effect
348
Posterize Time Effect
348
Time Effects
348
Clip Effect
349
Crop Effect
349
Edge Feather Effect
349
Transform Effects
349
Block Dissolve Effect
350
Transition Effects
350
Vertical Flip Effect
350
Vertical Hold Effect
350
Linear Wipe Effect
351
Radial Wipe Effect
351
Venetian Blinds Effect
351
Broadcast Colors Effect
352
Field Interpolate Effect
352
Video Effects
352
About Audio Effects in Adobe Premiere Pro
353
Audio Effects
353
Balance Effect
353
Timecode Effect
353
Bandpass Effect
354
Channel Volume Effect
354
Deesser Effect
354
Dehummer Effect
354
Delay Effect
355
Denoiser Effect
355
Dynamics Effect
355
EQ Effect
356
Fill Left, Fill Right Effects
357
Highpass, Lowpass Effects
357
Multibandcompressor Effect
357
Multitap Delay Effect
358
Notch Effect
358
Parametric EQ Effect
358
Pitchshifter Effect
358
Reverb Effect
359
Swap Channels Effect
359
Treble Effect
359
Volume Effect
359
About Alpha Channels and Mattes
360
About Straight and Premultiplied Channels
360
Chapter 15: Compositing
360
Transparency (Masks, Alpha Channels)
360
About Compositing
361
About Keying
361
Compositing Video
361
Compositing Clips
362
Adjusting the Opacity of Clips
363
To Set How an Alpha Channel Is Interpreted
363
To Specify Clip Opacity in the Effect Controls Panel
364
To Specify Clip Opacity in the Timeline Panel
364
Defining Transparent Areas with Keys
365
To Apply a Key to a Clip
365
Using the Chroma Key
366
About the Color Key
367
To Key out a Single Color
367
Using the RGB Difference Key
367
Blue Screen Key and Green Screen Key
368
Using the Non Red Key
368
About the Luma Key
369
Multiply Key and Screen Key
369
Creating Transparency and Solid Colors with Mattes
370
To Composite Clips Using Alpha Channels or Brightness Values
370
Using the Image Matte Key
370
About the Difference Matte Key
371
To Replace a Static Background Behind Moving Objects
371
Using the Track Matte Key
372
To Create Transparency in a Superimposed Clip
373
To Mask out Objects with Garbage Mattes
373
To Create a Solid Color Matte
374
To Remove a Black or White Matte
375
About Export
376
Chapter 16: Video Output
376
Exporting Basics
376
Using Video Files in Other Applications
376
Creating a Video File for CD-ROM Playback
377
Creating Motion-Picture Film
377
Exporting to Various Media Types
377
Creating a Video File for Video CD Playback
378
Creating Video Files for the Web
378
Understanding Video File Formats
378
About High-Definition (HD) Video
379
About Web Formats
379
Progressive Downloadable Video
379
About Compression
380
About Compression Keyframes
380
Streaming Video
380
Understanding Video Compression and Data Rate
380
About Data Rate
381
CD-ROM Playback
381
Exporting to Videotape or DVD
381
Hard-Disk Playback
381
Intranet Playback
381
To Prepare for Recording to DV Tape
382
To Record a Sequence on Videotape with Device Control
382
To Record a Sequence on Videotape Without Device Control
383
Exporting to Files
384
Exporting Video as a File
384
To Export a Movie File
384
Dithering
385
To Export a GIF or Animated GIF
385
To Export Marker Data in AVI Files
385
Transparency
385
Exporting Still-Image Sequences
386
To Export a Series of Still Images
386
To Export a Still Image
386
Export Settings
387
File Formats Supported for Export
387
To Export Audio as a File
387
Video Formats
387
Audio-Only Formats
388
General Export Settings
388
Sequence Formats
388
Still-Image Formats
388
Compressor
389
Embedding Options
389
Video Export Settings
389
Keyframe and Rendering Export Settings
390
About the Adobe Media Encoder
391
Adobe Media Encoder
391
Audio Export Settings
391
Exporting Using Adobe Media Encoder
392
To Set the Image Preview Pixel Aspect Ratio
392
To Toggle between the Source and Output Views
392
To Export a File Using Adobe Media Encoder
393
To Use the Export Settings Dialog Box Viewing Area Controls
393
Custom Presets
394
To Create and Save a Custom Preset
394
To Import a Preset
394
Adobe Media Encoder Format Options
395
To Delete Custom Presets
395
To Export a Preset
395
Adobe Media Encoder Filters Options
396
Adobe Media Encoder Video Options
396
Maximum Bitrate
397
Minimum Bitrate
397
MPEG Multiplexer Preset Options
397
About MPEG
398
Adobe Media Encoder Audio Options
398
Adobe Media Encoder Alternates and Audiences Options
399
To Add Alternates or Audiences
399
To Copy or Delete an Alternate or Audience
399
To Specify Quicktime Alternates Options
400
To Specify Realmedia Options
400
About XMP Metadata
401
Adobe Media Encoder Others Options
401
Pre-Render Options
401
To Specify Windows Media Audiences Options
401
Exporting an EDL
402
Exporting for Online Editing and Collaboration
402
To Crop the Source Prior to Encoding
402
To Deinterlace the Source Prior to Encoding
402
To Export an Adobe Premiere Pro Project as an EDL
402
About AAF Export
403
About the AAF Plug-In
403
To Export a File as AAF
403
About Project Manager
404
To Trim or Copy Your Project
405
Clip Notes
406
To Export a Clip Notes PDF
406
To Make Clip Notes Comments
407
To Import Clip Notes Comments
408
Chapter 17: Creating Dvds
409
DVD Creation Overview
409
DVD Creation Workflow
409
Types of Dvds
409
Preparing Content for DVD
410
DVD Markers
411
Main Menu Markers
411
Scene Markers
412
To Add a Main Menu Marker or Scene Marker
412
To Add a Stop Marker
413
To Automatically Add Scene Markers to a Sequence
414
To Edit a DVD Marker Name, Type, or Thumbnail
414
To Move a DVD Marker
414
About Menu-Based Dvds
415
Designing Menu-Based and Autoplay Dvds
415
To Delete a DVD Marker
415
To Change a DVD Menu Template
416
To Choose a DVD Menu Template
416
To Edit Menu Text and Buttons
417
To Move and Resize Menu Items
417
To Specify Text Settings
417
To View Overlapping Buttons
417
To Animate Buttons
418
To Customize Menu Backgrounds
418
To Create an Auto-Play DVD
419
Previewing and Burning Dvds
420
Supported DVD Media
420
To Preview a Menu-Based DVD
420
Creating Dvds for Different Regions
421
To Burn a DVD Disc, or Save to a DVD Folder or ISO Image
421
About Keyboard Shortcuts
423
Chapter 18: Keyboard Shortcuts
423
Finding and Customizing Keyboard Shortcuts
423
To Customize Keyboard Shortcuts
423
To Remove Shortcuts
424
To Switch to a Different Set of Shortcuts
424
Default Keyboard Shortcuts
425
Keys for Selecting Tools
425
Keys for the Capture Panel
425
Keys for Viewing Panels
425
Keys for the DVD Layout
426
Keys for the Multi-Camera Monitor
426
Keys for the Project Panel
426
Keys for the Source Monitor
427
Keys for the Timeline
427
Keys for the Titler
429
Keys for the Trim Panel
430
Keys for Adobe Bridge
431
Index
433
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