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Sequential Pro One - Basic Operation; Pro-One Connections Guide

Sequential Pro One
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7.
Center
MASTER
TUNE
and PITCH
wheel
and
set
MOD
wheel
to
minimum
(unless
*the
wheel
cable is disconnected).
8.
Adjust
VOLUME
as
required, below.
1-2
KEYBOARD
EST
I.
Patch according
to
Figures
1-1
or
1-2.
The
essential features
of
these
patches
are
a
fully
"open"
AMPLIFIER
and
FILTER,
the sawtooth
of
one oscillator is
on,
and
there
is
no
modulation.
2.
Check
that
all
keys
work. Make
a
note
of
scratchy,
intermittent,
or
inoperative
keys,
Oxidation,
particularly
of
lesser-used
keys,
can
cause
keys
to
go
"dead,rt
and
may
be
aggravated
by
ambient
conditions or
handling.
Check
also
for
contact bounce
by
hitting
each
key
hard
and
repeatedly
while
listening for break-up
or
double
triggering.
For
either condition, cleaning
ar
careful
readjustment
of
the
"J-wirestr
is
often
a1 that
is
necessary. After
the
top
panel
is
removed,
the
keyboard
can
be
detached
from
the
bottom
panel
for
cleaning
by
simply
removing
four
screws.
Wipe
the
contacts
carefully
with an alcohol-
or
freon-wetted cotton
swab.
Donqt
use
any
abrasive
techniques,
as
this will simply
remove
the
gold plating.
Replacement
J-wires
can
be
ordered
as
SCI
#S-051.
3.
If
the
keyboard
doesn't
work
at
all,
check
its
connector. The
GATE
LED
should
light
whenever
a
key
is
pressed.
If
still
there
is
no sound,
check
Final
VCA
(para.
1-8).
4.
Switch
DRONE
an.
You
should
hear
a
continuous
tone.
The
frequency will
change
as
you play various
keys,
but
the
tone itself
is
not
interrupted.
Switch
DRONE
off.
5.
Switch
REPEATJEXT
on.
The
frequency
of
the last
key
played
repeats
at
a
rate
set
by
the
LFOJCLOCK
FREQUENCY
knob.
Keys
will
not
be
heard
when
played,
but
repeated pitch will change. Switch
REPEATIEXT
back
to
NORMAL.
6..
To check
or
demonstrate low-note priority, hold
a
key
and
hit
one
above it.
The
higher
key
will
not
sound.
Now
hold the
higher
key
and
hit
the
lower
one.
The
rower
key
sounds
when
pressed.
5.
Switch
MODE
from
NORMAL
to
RETRIG.
Note
that
this
switches from low-note
to
last-note
priority.
The
newest
key
sounds though
a
lower
key
may
be
held.
6.
Hold
several notes
and
switch
ARPEGGIATE
UP,
then
UP/DOWN
to
check
function.
While
arpeggiating,
switch
up
SEQUENCER
RECORD
and
remove
hand
from
keyboard.
The
arpeggiator
should
remain "latched."
Switch
ARPEGGIATE
off.
7.
With
SEQUENCER
RECORD
still
on,
select
SEQ
1
and
record
a
sequence.
Play
it
back. Repeat
for
SEQ
2.
i
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