85
FX
3. Add a hint of reverb to Disk Channel 4. Route that reverb’s FX RETURN to the stereo L/R bus....
The vocal will be recorded ‘dry’ but the vocal reverb will be heard on the control room monitors and headphone
output.
ADDING EFFECTS TO A FOLDBACK MIX
Similarly, vocalists working in a vocal booth like to hear their voice with reverb in their headphones during the track
laying process.
Using the same example as above and assuming AUX 3 and/or 4 are being used as pre-fade foldback mix outputs to
the STUDIO outputs connected to a suitable headphone monitoring system....
1. Route Input 1 to Group 4, select Track 4 for record.
2. Monitor the vocal line via Disk Channel 4.
3. Add a hint of reverb to Disk Channel 4 but send the FX1 RETURN through pre-fade AUX 3/4...
The dry signal will be recorded to disk, the vocalist will hear the backing track and his vocal via AUX 3/4 through
the STUDIO outputs - he will also hear reverb on his vocal.
To Next Page
Loading...
Need help?
General
