7.3.8. Phaser
The signature “whoosh” of analog string machines and yacht-rock electric pianos came
from shifting the phase of a signal, recombining it with the unaffected sound, then
modulating the result on a sweep through the frequency spectrum. This resulted in a comb
filtering effect.
Control Description
Rate Controls the speed of the phaser effect.
Rate Type Sets whether the phaser free-runs in Hz or is synced to tempo.
Frequency Changes the harmonic center of the phaser effect.
Feedback Controls the amount of processed signal fed back into the phaser, which adds resonance.
LFO
Amount
Determines the depth of the modulation effect.
LFO Wave Drop-down in visualizer selects one of six waveforms for the LFO.
N Poles
Adds pairs of allpass filters. The more poles used, the narrower their bandwidths and therefore
the more intense the effect will be.
Stereo Gradually changes the phaser from mono to stereo output.
Note: Drag vertically on the visualizer to change the feedback and horizontally to change the
frequency.
Arturia - User Manual Prophet-5 V - Effects 80
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