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Hasselblad H4D 40 - 6 Profiles 23; Making a Prof Ile 4

Hasselblad H4D 40
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44
H4D
Pro les
The pro les feature allows rapid access to pre-determined combinations of settings that
increase the speed and security of work ow. One example might be in a social situation
where there might be a need for formal outdoor portraiture followed by informal in-
door handheld  ash-assisted wide-angle shots, both situations requiring very di erent
settings in a stressful environment. By predetermining the relevant settings required
beforehand for each situation, they can be saved collectively as a pro le. By calling up
the pro le, you can then be assured that all the settings are correct at the press of one
button.
For example, you might choose autofocus single, bracketing, programmed exposure,
etc – for outdoors. Once set, you would click on the red PROFILES button, select a pro-
le name and press SAVE. A new name can be entered for the new pro le - ‘Outdoors’,
for instance - and saved again. New settings are made for the indoor shots changing
to ash, Pv setting, etc and the procedure repeated. By simply accessing ‘Outdoors’ or
‘Indoors’ in the pro le list, all the relevant settings will be instantly and correctly imple-
mented to match the situation.
There are eight pro les: Default, Full auto, Studio, Fill ash. and four Spare reserved
for customization. All except Default can be changed and renamed.
The pre-set pro les feature the following:
Default: normal  ash sync, autofocus (single), single drive, autoexposure (aperture pri-
ority), average metering, user button -None
Full auto: normal ash sync, autofocus (single), single drive, programmed exposure,
centre weighted metering, user button -None
Studio: normal  ash sync, manual focus, single drive, manual exposure, spot metering.
user button - AF drive
Fill ash: normal ash sync (adjusted output -1.7EV), autofocus (single), single drive,
autoexposure, average metering.
Spare: customized pro les.
The default setting is highlighted on the display for easy and rapid access. Access to pro-
les lower on the list is via a scroll bar visible on the right of the display. Rotate the rear
control wheel to bring them into view.
All user pro les can be restored to default values again simply by removing the battery
and holding down the MENU and ISO/WB buttons together and while keeping them de-
pressed, replace the battery. There will be an audible signal that denotes the restoration.
All settings are stored when a pro le is created. This includes the ISO, white balance,
color temperature and color tint settings that were current at the time the pro le was
created. These pro le settings will override the settings in use at the time the pro le
button was pressed. In other words, remember to check for unintentional ISO, white bal-
ance or color temperature changes when using pro les. (Color tint is not a user setting
but is stored after a manual white balance has been made).
Makingaprole
1) Activate the camera and go through the various settings (for example, autofocus,
aperture priority,  ll  ash exposure compensation, etc.) you require for the particu-
lar purpose and save them as you go.
2) When all the required settings have been made, click (not press!) the PROFILES
button (ON.OFF button) on the grip and the pro le screen will appear.
3) Use the scroll bar to go through the list of pro les. Choose a Spare pro le or a
named pro le (except Default). You can either save the new pro le under the origi-
nal name or you can change it
4) Press Save (ISO/WB button). The Pro le name screen is then displayed where you
can rename the pro le to what suits you (see section Image Info 4.2 further on in
this manual for procedure details).
1
ISO / WB
Save
2
ONOFF
PROFILES/ESC
4
ISO / WB
Save
3
F
R

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