Korg Trinity V3 User Manual

About Alternate Modulation Sources
158
Alternate Modulation settings
For different settings of AMS (Alternate Modulation Source), the modulation destination will be
affected as shown in the table below.
*1
Controller: Velocity, AfterTouch, Poly After, Ribbon(Z), Assignable Foot Pedal, Joy Stick(+Y),
Joy Stick(–Y), Value Slider, MIDI Control Change
*2
SW: SW1, SW2, Assignable Foot Switch
*3
If Note No. is selected for AMS, C4 will be the center.
*4
If Tempo is selected for AMS, q =120 will be the center.
*5
This will be added to the Cutoff value. As the Cutoff value increases by 10, the cutoff frequency
will double (rise 1 octave).
*6
EG Time: Attack Time, Decay Time, Slope Time, Release Time
LFO Time: Delay, Fade, Frequency (as Time shortens, Frequency will become faster)
∗7
For Oscillator EG/LFO, AMS Intensity has a maximum value of +12.0. For Filter EG/LFO and
Amp EG, AMS Intensity has a maximum value of +99.
*8
This is determined by the status at Note On, and will be added to the Pan value.
Examples of using Alternate Modulation
• If Tempo is selected as the modulation source for the various EG Time or LFO Frequency set-
tings, the speed of the EG or LFO will change according to changes in sequencer playback
tempo.
• In addition to this, if you use Tempo to control Pitch and Cutoff Frequency as well, you can
simulate the effect of speeding up a tape recorder.
• If Poly After is selected as AMS, you can apply modulation to specific notes, just as you can
using EG or Velocity. For example if a chord is sounding, vibrato can be applied to only a spe-
cific note of the chord.
• You can create LFOs or EGs that change in complex ways.
• The tone, EG, or LFO can be controlled not only using velocity or the joystick, etc., but also
from switches and pedals.
• Pan can be controlled by the joystick.
• The filter EG can control both cutoff frequency and pitch, or the filter 1 EG can control the filter
2 cutoff frequency.
Parameter
(AMS Intensity)
AMS EG/LFO
–99…0…+99
Amp EG
0…+99
JS(X), Ribbon (X)
–Max…0…+Max
Controller
*1
0…127
SW
*2
Off, On
Note No.
*3
…C2…C4…C6…
Tempo
*4
q
= (…60…120…240…)
Pitch (+12.00) –1…0…+1 [Oct] 0…+1 [Oct]
Special parameter
provided
0…+1 [Oct] 0, +1 [Oct]
Special parameter
provided
…–1…0…+1… [Oct]
Cutoff
*5
(+99) –99…0…+99 0…+99 –99…0…+99 0…+99 0, +99 …–99…0…+99……–99…0…+99…
Amplitude (+99)
Setting value x
(0…1…8)
Special parameter
provided
Setting value x
(0…1…8)
Setting value x
(1…8)
Setting value x (1,
8)
Setting value x
(0…1…8…)
Setting value x
(0…1…8…)
EG/LFO Time
*6
(+99)
Setting value x
(64…1…1/64)
Setting value x
(1…1/64)
Setting value x
(64…1…1/64)
Setting value x
(1…1/64)
Setting value x (1,
1/64)
Setting value x
(…64…1…1/64…)
Setting value x
(…64…1…1/64…)
EG/LFO Intensity
*7
(+12.00)
(+99)
–1…0…+1 [Oct] 0…+1 [Oct] –1…0…+1 [Oct] 0…+1 [Oct] 0, +1 [Oct]
…–1…0…+1
[Oct]…
…–1…0…+1… [Oct]
–99…0…+99 0…+99 –99…0…+99 0…+99 0, +99 …–99…0…+99……–99…0…+99…
Panpot *8 (+99) –127…0…+127 0…+127 –127…0…+127 0…+127 0, +127 –127…0…+127 –127…0…+127

Korg Trinity V3 Specifications

General

Brand	Korg
Model	Trinity V3
Category	Recording Equipment
Language	English