Parameter Reference
Parameter Reference
134 135
Key scaling of the decay time.
0.0 %: equal time for all keys
100.0 %: shortening to half time per octave, origin at C3 = 60
semitones
Center frequency of the 2-pole allpass filter [in semitones]. It
is the frequency where the phase is shied by 180 degrees.
The allpass is in series with the delay. At the maximum
position (140 semitones), the allpass has no eect.
Amount of modulation of the allpass center frequency by
Envelope C [in semitones].
Key scaling of the allpass filter frequency.
0.0 %: same tuning for all keys
100.0 %: full tracking with the keys, origin at C3 = 60 semi-
tones
Resonance of the 2-pole allpass. Determines how much the
phase shi increases around the center frequency.
Cuto frequency [in semitones] of the lowpass filter that
damps the higher frequencies in the comb filter’s signal path.
Comb Filter
The signal for the Comb Filter as a crossfade between the
outputs of Oscillator & Shaper A and Oscillator & Shaper B.
Coarse pitch of the Comb Filter (delay) at C3 (MIDI note 60)
[in semitones, based on MIDI note numbers].
Amount of modulation of the Comb Filter pitch by Envelope
C [in semitones].
Key scaling of the tuning of the Comb Filter (delay).
0.0 %: same tuning for all keys
100.0 %: full tracking with keys, origin at C3 = 60 semitones
Amount of the internal feedback noticeable as the decay
time of the impulse response [logarithmic scaling]. At
negative values, the feedback signal is inverted, which shis
the fundamental resonance down by one octave.
Amount of gating applied to the decay time. It reduces the
decay time when the key is released (Note-o).
0.0 % same decay time in the release phase
100.0 %: the decay time is set to zero at the release of the key
Comb Filter
Comb Filter
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