NONLINEAR LABS C15 - Page 73

Parameter Reference
Parameter Reference
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Controls two inverted shelving EQs before and aer the
distortion stage.
negative: more distortions at high frequencies
positive: more distortions at low frequencies
Cuto frequency [in semitones] of the lowpass filter at the
output.
Cuto frequency [in semitones] of the highpass filter at the
input.
Crossfades between the dry signal and the saturated signal.
Output level [in dB] of the saturation eect before it is mixed
with the dry signal.
Shis the mean cuto frequency of both 4-pole filters on
both channels up or down [in semitones].
Gap Filter
Gap Filter
Amount of the cross feedback between the le and the right
channel, increasing the complexity of the resulting signal.
At negative values, the cross feedback is inverted and will
emphasize other frequencies than in the non-inverted mode.
0.0 %: no cross feedback
+/- 100.0 %: all feedback is cross feedback
Cuto frequency [in semitones] of the filter that damps the
higher frequencies of the delayed signal.
Crossfades between the dry signal and the delayed signal. At
negative values, the delayed signal is inverted.
Gain [in dB] for the input signal. Higher gains will increase
the amount of distortion/saturation.
Amount of folding back of the shaper curve for high input
amplitudes.
0.0 %: flat saturation, no folding
100.0 %: fully folded back (periodic sine curve)
A higher amount of folding leads to a soer but more nasal
sound.
Asymetry of the shaper curve, generating even (2nd, 4th, ...)
harmonics. At higher values, it becomes a parabolic curve
that shis the frequency of the fundamental to its double.
Cabinet
Cabinet