NONLINEAR LABS C15 - Page 79

Parameter Reference
Parameter Reference
156 157
Determines the influence of the “Ribbon 2” Hardware Source
on Macro Control A. If the Ribbon is a returning Hardware
Source, the amount can be adjusted continuously, otherwise
it will be switch-like. Continuous amounts can be set [in
percent] and can cover the whole range of the Macro Control
in both directions (-100.0 % … 100.0 %).
Determines the influence of the “Ribbon 2” Hardware Source
on Macro Control B. If the Ribbon is a returning Hardware
Source, the amount can be adjusted continuously, otherwise
it will be switch-like. Continuous amounts can be set [in
percent] and can cover the whole range of the Macro Control
in both directions (-100.0 % … 100.0 %).
Master / Scale
Unison
Determines the influence of the “Ribbon 2” Hardware Source
on Macro Control C. If the Ribbon is a returning Hardware
Source, the amount can be adjusted continuously, otherwise
it will be switch-like. Continuous amounts can be set [in
percent] and can cover the whole range of the Macro Control
in both directions (-100.0 % … 100.0 %).
Determines the influence of the “Ribbon 2” Hardware Source
on Macro Control D. If the Ribbon is a returning Hardware
Source, the amount can be adjusted continuously, otherwise
it will be switch-like. Continuous amounts can be set [in
percent] and can cover the whole range of the Macro Control
in both directions (-100.0 % … 100.0 %).
Spreading the (Oscillators’) start phases of the unison voices
to get dierent phase cancellations at the beginning of a
note. The value is the phase range [in degrees] covered by a
group of unison voices.
Voice panning inside of a group of unison voices. At 100.0 %,
the voices are spread over the full stereo base.
Master volume [in dB], applied at the end of the eect chain,
before the so clipper.
Global pitch transposition [in semitones].
Sets the base key for the custom scale. The scale is defined
for the eleven keys above the base key and will be applied to
all octaves accordingly.
Master / Scale Group
Oset of the first key following the base key [in cents]. At
zero, the interval to the base key would be the minor second
of the equally tempered scale.
Number of unison voices that will be assigned to a key. At 1,
the unison eect is disabled.
Spreading of the pitches of the unison voices [in semitones].
The Fine mode allows for adjustments in steps of 0.001
semitones (0.1 cents).
Unison