164
Effect/Parameter List
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.
41: LIMITER
Compresses signals that exceed a specified volume level,
preventing distortion from occurring.
42: GATE
Cuts the reverb’s delay according to the volume of the sound
sent into the effect. Use this when you want to create an
artificial-sounding decrease in the reverb’s decay.
43: DELAY
This is a stereo delay.
44: LONG DELAY
A delay that provides a long delay time.
Assignable Parameters
MFX Control
Threshold, Attack, Level
Parameter
Value Description
Attack 0–127
Sets the speed at which compression
starts
Threshold 0–127
Adjusts the volume at which
compression begins
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level 0–127 Output level
Assignable Parameters
MFX Control
Threshold, Release, Level
Parameter
Value Description
Release
0–127
Adjusts the time after the signal
volume falls below the Threshold Level
until compression is no longer
applied.
Threshold 0–127
Adjusts the volume at which
compression begins
Ratio
1.5:1, 2:1, 4:1,
100:1
Compression ratio
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level 0–127 Output level
Assignable Parameters
MFX Control
Threshold, Hold, Release, Attack, Balance
Parameter
Value Description
Threshold
0–127
Volume level at which the gate begins
to close
Mode GATE, DUCK
Type of gate
GATE
: The gate will close when the
volume of the original sound
decreases, cutting the original sound.
DUCK (Ducking)
: The gate will close
when the volume of the original sound
increases, cutting the original sound.
Attack 0–127
Adjusts the time it takes for the gate to
fully open after being triggered.
Hold 0–127
Adjusts the time it takes for the gate to
start closing after the source sound
falls beneath the Threshold.
Release 0–127
Adjusts the time it takes the gate to
fully close after the hold time.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control
Balance, Delay L, Delay R
Parameter Value Description
Delay L Mode
ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay L (ms) 1–1300 ms
Adjusts the time until the delay sound
is heard. (Hz)
Delay L ( ) note (*1)
Adjusts the time until the delay sound
is heard. (note)
Delay R Mode ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay R (ms) 1–1300 ms
Adjusts the time until the delay sound
is heard. (Hz)
Delay R ( ) note (*1)
Adjusts the time until the delay sound
is heard. (note)
Phase Left
NORMAL,
INVERSE
Phase of the delay sound
Phase Right
Feedback Mode
NORMAL,
CROSS
Selects the way in which delay sound
is fed back into the effect.
Feedback -98– +98%
Adjusts the amount of the delay sound
that’s fed back into the effect.
Negative
(-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control
Balance, Delay, Pan
Parameter
Value Description
Delay Mode
ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–2600 ms
Delay time from when the original
sound is heard to when the delay
sound is heard (Hz)
Delay ( ) note (*1)
Delay time from when the original
sound is heard to when the delay
sound is heard (note)
Phase
NORMAL,
INVERSE
Phase of the delay (
NORMAL
: non-
inverted,
INVERSE
: inverted)
Feedback -98– +98%
Proportion of the delay sound that is to
be returned to the input (negative
values invert the phase)
HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-frequency
content of the delayed sound will be
cut (BYPASS: no cut)
Pan L64–63R Panning of the delay sound
Low Gain -15– +15 dB
Amount of boost/cut for the high-
frequency range
High Gain -15– +15 dB
Amount of boost/cut for the high-
frequency range
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output volume
RD-700GX_e.book 164 ページ ２００８年２月１３日 水曜日 午後５時４９分
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