165
Effect/Parameter List
45: SERIAL DLY (SERIAL DELAY)
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to
produce complex delay sounds.
46: MOD DELAY (MODULATION DELAY)
Adds modulation to the delayed sound.
47: 3TP PAN DLY (3TAP PAN DELAY)
Produces three delay sounds; center, left and right.
Assignable Parameters
MFX Control
Balance, Delay1, Delay2, Pan
Parameter
Value Description
Delay1 Mode
ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay1 (ms) 1–1300 ms
Delay time from when sound is input to
delay 1 until the delay sound is heard
(Hz)
Delay1 ( ) note (*1)
Delay time from when sound is input to
delay 1 until the delay sound is heard
(note)
Delay1
Feedback
-98– +98%
Proportion of the delay sound that is to
be returned to the input of delay 1
(negative values invert the phase)
Dly1 HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-frequency
content of the delayed sound of delay
1 will be cut (BYPASS: no cut)
Delay2 Mode ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay2 (ms) 1–1300 ms
Delay time from when sound is input to
delay 2 until the delay sound is heard
(Hz)
Delay2 ( ) note (*1)
Delay time from when sound is input to
delay 2 until the delay sound is heard
(note)
Delay2
Feedback
-98– +98%
Proportion of the delay sound that is to
be returned to the input of delay 2
(negative values invert the phase)
Dly2 HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-frequency
content of the delayed sound of delay
2 will be cut (BYPASS: no cut)
Pan L64–63R Panning of the delay sound
Low Gain -15– +15 dB
Amount of boost/cut for the low-
frequency range
High Gain -15– +15 dB
Amount of boost/cut for the high-
frequency range
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output volume
Assignable Parameters
MFX Control
Balance, Depth, Delay L, Delay R
Parameter
Value Description
Delay L Mode
ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay L (ms) 1–1300 ms
Adjusts the time until the delay sound
is heard. (Hz)
Delay L ( ) note (*1)
Adjusts the time until the delay sound
is heard. (note)
Delay R Mode ms, note
Settings of the Delay R
The parameters are the same as for
the Delay L.
Delay R (ms) 1–1300 ms
Delay R ( ) note (*1)
Feedback Mode
NORMAL,
CROSS
Selects the way in which delay sound
is fed back into the effect.
Feedback -98– +98%
Adjusts the amount of the delay sound
that’s fed back into the effect.
Negative (-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Rate Mode Hz, note
When this is set to “note,” the effect is
synchronized with the tempo.
Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)
Rate ( ) note (*1) Frequency of modulation (note)
Depth 0–127 Depth of modulation
Phase 0–180 deg Spatial spread of the sound
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control
Balance, Delay C, Delay L, Delay R
Parameter
Value Description
Delay L Mode
ms, note
When this is set to “note,” the effect is
synchronized with the tempo.
Delay L (ms) 1–2600 ms
Adjusts the time until the delay sound
is heard. (Hz)
Delay L ( ) note (*1)
Adjusts the time until the delay sound
is heard. (note)
Delay R Mode ms, note
Settings of the Delay R
The parameters are the same as for
the Delay L.
Delay R (ms) 1–2600 ms
Delay R ( ) note (*1)
Delay C Mode ms, note
Settings of the Delay C
The parameters are the same as for
the Delay L.
Delay C (ms) 1–2600 ms
Delay C ( ) note
Center
Feedback
-98– +98%
Adjusts the amount of the delay sound
that’s fed back into the effect.
Negative (-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Left Level 0–127 Volume of each delay
Right Level 0–127 Volume of each delay
Center Level 0–127 Volume of each delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Parameter
Value Description
RD-700GX_e.book 165 ページ ２００８年２月１３日 水曜日 午後５時４９分
To Next Page
Loading...
Need help?
General
