Quick Function Guide
Functions to adjust exposure (in the recording mode)
• In a dark [)lace
• In insuft]cient light
• In clark environments such as sunset,
fireworks, o1"general night views
• Shooting backlit subjects
• In spotlight, such as at the theater or a formal
event
• In strong light or reflected light, such as at a
beach in midsummer or on a ski slope
NIGHTSHOT (p. 21)
Low lux mode ([3.42)
Sunset & moon mode (i3.42)
BACK LIGHT (i3.20)
Spotlight mode (p. 42)
Beach & ski mode (p. 42)
• Digital processing of images
• Creating a soft background for subjects
• Superimposing a title
Functions to give images more impact (in the recording mode)
• Smooth transition between scenes FADER (i3.36)
•Taking a still picture Tape photo recording (p. 29)/
Memory photo recording (p. 102)
PICTURE EFFECT (p. 38)/
DIGITAL EFFECT (p. 39)
Soft portrait *node (i3. 42)
TITLE (p. 77)
Functions to give a natural appearance to your recordings
(in the recording mode)
• Preventing deterioration of pirttne quality in D ZOOM IMENUI (p. 84)
digital zoom
•Focusing manually Manual fbcus (i3.45)
• Shooting distant subjects Landscape mode (i3.42)
•Recording thst moving subjects Sports lesson mode (p. 42)
Functions to be used in editing (in the recording mode)
•Watching the pirttn e on a wide screen TV Wide mode (i3.35)
• Viewing images using a personal computer "Memo1T Stick" (i3.93)
Functions to be used after recording
•Digital processing of"recorded images
•Displaying the date/time or various settings
when you recorded
• Quickly locating a desired scene
• Searching fur scenes having a title
• Searching fur scenes recorded in the photo
mode
• Scanning scenes recorded in the photo mode
• Playing back monaural sound or sub sound
• Playing back the picttn e on a TV without
connecting cord
• Enlarging still images
(in the playback mode)
PICTURE EFFECT (p.47)/
DIGITAL EFFECT (p. 48)
Data code (I3. 25)
Zero set memory (i3. 50)
Title search (i3. 51)
Photo search (i3. 54)
Photo scan (p. 55)
HiFi SOUND [MENU] (p. 86)
SUPER LASER LINK (p. 28)
PB ZOOM (p. 49)
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