Yamaha V50 - Page 46

(4) Key sync
E Function
Make the LFO start from the same position for each
note.
@ Settings
off, on
@ Explanation
When key sync is on, the LFO waveform will start
over again from the same position each time you play
another note. When key sync is off, the LFO waveform
will continue repeating in the same way whether or
not notes are being played.
If you want each new note to have the same type
of attack, set key sync on. When simulating rotary
speakers, phasers, etc., set key sync off.
Sync on
LFO wave starts over
. for each note
Ch i
i
NA
AN
GO
ae
Sync off A note is played
Change j
So
Cae
es
” LFO wave continues whether
or not notes are being played
The next note is played
(5) PMD
Æ Function
Set the depth of vibrato (pitch modulation).
E Settings
0-99
E Explanation
A setting of 0 gives minimum effect, a setting of 99
gives maximum effect.
There will be times when you want a voice to
always have vibrato, and other times when you want
to be able to bring in vibrato using a modulation wheel
or breath controller. This PMD setting is the depth
of vibrato that will a/ways be present in the voice. If
you want to bring in vibrato using a modulation wheel
or breath controller, leave this PMD setting at 0.
Note:
When the sensitivity setting for PMS (see page 43)
is at 0, there will be no vibrato even if you raise the
PMD value.
Tf you want to bring in vibrato using a modulation
wheel or breath controller, raise the pitch setting (MW
Pitch, BC Pitch, etc.) for that controller.
42 Voice Edit
Ways to add vibrato
Type of vibrato PMD settingi PMS setting] * setting
Always present raised raised 0
Add using a controller 0 raise raise
* indicates
When using the foot controller
[5] (FUNCTION) FC Pitch setting
When using the modulation wheel
[_9_] (FUNCTION) MW Pitch setting
When using the breath controller
[LE _](FUNCTION) BC Pitch setting
When using aftertouch
[LE | (FUNCTION) AT Pitch setting
(6) AMD
Æ Function
Set the depth of tremolo or wah.
E Settings
0-99
@ Explanation
A setting of 0 gives minimum effect, a setting of 99
gives maximum effect.
There will be times when you want a voice to
always have tremolo or wah, and other times when
you want to be able to bring in tremolo or wah using
a modulation wheel or breath controller. This AMD
setting is the depth of tremolo or wah that will always
be present in the voice. If you want to bring in tremolo
or wah using a modulation wheel or breath controller,
leave this AMD setting at 0.
When the AMS of an operator acting as a carrier
is raised, this AMD setting regulates tremolo.
When the AMS of an operator acting as a mo-
dulator is raised, this AMD setting regulates wah.
Note:
When the sensitivity setting for AMS (see page 43)
is at 0 or off, there will be no tremolo or wah even
if you raise this AMD value.
If you want to bring in tremolo or wah using a
modulation wheel or breath controller, raise the
amplitude setting (MW Amplitude, BC Amplitude,
etc.) for that controller.
Ways to add tremolo
AMD setting); AMS setting
* setting
Carrier [Modulator
Always present Raise on off 0
Add using a controller 0 on off Raise
9
E `