PRESONUS StudioLive24.4.2 - Page 136

PreSonus StudioLive
™
24.4.2
136
Quick Start:
Level
Setting
Overview Controls Connecting
to a
Computer
Scenes,
Presets &
System
Menu
Technical
Information
Trouble-
shooting
& Warranty
Tutorials
8 Tutorials Owner’s Manual
137
Quick Start:
Level
Setting
OverviewControlsScenes,
Presets &
System
Menu
Technical
Information
Trouble-
shooting
& Warranty
Tutorials
Tutorials 8
Software
Universal Control,
Capture, and
Studio One Artist
Hookup
Hookup
Software
Universal Control,
Capture, and
Studio One Artist
Connecting
to a
Computer
Electric Guitar. This is a setting for “crunch” electric rhythm
guitar. A slow attack helps to get the electric rhythm guitar “up
close and personal” and gives punch to your crunch.
Thresholdhold RatRatioio AttAttackack Release
-0.1 dB 2.4:1 26 ms 193 ms
Keyboards
Piano. This is a special setting for an even level across the keyboard. It is
designed to help even up the top and bottom of an acoustic piano. In other
words, it helps the left hand to be heard along with the right hand.
Thresholdhold RatRatioio AttAttackack Release
-10.8 dB 1.9:1 108 ms 112 ms
Synth. The fast attack and release on this setting can be used for
synthesizer horn stabs or for bass lines played on a synthesizer.
Thresholdhold RatRatioio AttAttackack Release
-11.9 dB 1.8:1 0.002 ms 85 ms
Orchestral. Use this setting for string pads and other types
of synthesized orchestra parts. It will decrease the overall
dynamic range for easier placement in the mix.
Thresholdhold RatRatioio AttAttackack Release
3.3 dB 2.5:1 1.8 ms 50 ms
Stereo Mix
Stereo Limiter. Just as the name implies, this is a hard
limiter, or “brickwall,” setting—ideal for controlling the level
to a two-track mixdown deck or stereo output.
Thresholdhold RatRatioio AttAttackack Release
5.5 dB 7.1:1 0.001 ms 98 ms
Contour. This setting fattens up the main mix.
Thresholdhold RatRatioio AttAttackack Release
-13.4 dB 1.2:1 0.002 ms 182 ms
Eects
Squeeze. This is dynamic compression for solo work, especially electric
guitar. It gives you that glassy “Tele/Strat” sound. It is a true classic.
Thresholdhold RatRatioio AttAttackack Release
-4.6 dB 2.4:1 7.2 ms 93 ms
Pump. This is a setting for making the compressor “pump” in a desirable
way. This eect is good for snare drums to increase the length of
the transient by bringing the signal up after the initial spike.
Thresholdhold RatRatioio AttAttackack Release
0 dB 1.9:1 1 ms 0.001 ms
8.2.4 Corresponding Frequencies for the Equal-Tempered Scale
The Noise Gate on the StudioLive 24.4.2 features a frequency
Key Filter. Use the table below, and the tables in Section 8.3.2, to
help find the best Key Filter settings. Please note: the Hertz (Hz)
measurements below are rounded to the nearest Hertz, and the
kilohertz (kHz)measurements are rounded to the nearest 10 Hz.
Note Freq Note Freq Note Freq Note Freq
C-0 16 Hz C-2 65 Hz C-4 262 Hz C-6 1.05 kHz
C#-0 17 Hz C#-2 69 Hz C#-4 277 Hz C#-6 1.11 kHz
D-0 18 Hz D-2 73 Hz D-4 294 Hz D-6 1.17 kHz
D#-0 19 Hz D#-2 78 Hz D#-4 311 Hz D#-6 1.24 kHz
E-0 21 Hz E-2 82 Hz E-4 330 Hz E-6 1.32 kHz
F-0 23 Hz F-2 87 Hz F-4 349 Hz F-6 1.39 kHz
F#-0 24 Hz F#-2 92 Hz F#-4 370 Hz F#-6 1.48 kHz
G-0 26 Hz G-2 98 Hz G-4 392 Hz G-6 1.57 kHz
G#-0 28 Hz G#-2 104 Hz G#-4 415 Hz G#-6 1.66 kHz
A-0 29 Hz A-2 110 Hz A-4 440 Hz A-6 1.76 kHz
A#-0 31 Hz A#-2 116 Hz A#-4 466 Hz A#-6 1.86 kHz
B-0 32 Hz B-2 123 Hz B-4 494 Hz B-6 1.97 kHz
C-1 33 Hz C-3 131 Hz C-5 523 Hz C-7 2.09 kHz
C#-1 35 Hz C#-3 138 Hz C#-5 554 Hz C#-7 2.22 kHz
D-1 37 Hz D-3 147 Hz D-5 587 Hz D-7 2.35 kHz
D#-1 39 Hz D#-3 155 Hz D#-5 622 Hz D#-7 2.49 kHz
E-1 41 Hz E-3 165 Hz E-5 659 Hz E-7 2.64 kHz
F-1 44 Hz F-3 175 Hz F-5 698 Hz F-7 2.79 kHz
F#-1 46 Hz F#-3 185 Hz F#-5 740 Hz F#-7 2.96 kHz
G-1 49 Hz G-3 196 Hz G-5 784 Hz G-7 3.13 kHz
G#-1 52 Hz G#-3 208 Hz G#-5 830 Hz G#-7 3.32 kHz
A-1 55 Hz A-3 220 Hz A-5 880 Hz A-7 3.52 kHz
A#-1 58 Hz A#-3 233 Hz A#-5 932 Hz A#-7 3.73 kHz
B-1 62 Hz B-3 247 Hz B-5 988 Hz B-7 3.95 kHz
A Brief Tutorial on Dynamics Processing 8.28.2 A Brief Tutorial on Dynamics Processing