77
Effects
The teeth in Saw1 and Saw2 point in opposite directions.
fig.9-58
+TP Mod RT (TP Modulation Rate)0.05–6.40 [17 (40 03 13)]
Adjusts the modulation speed.
#TP Mod Dep (TP Modulation Depth) 0–127 [18 (40 03 14)]
Adjusts the modulation depth.
TP Sw (TP Switch) Off/On [19 (40 03 15)]
Turns tremolo or pan on/off.
Level (Output Level) 0–127 [20 (40 03 16)]
Adjusts the output level.
55: Keyboard Multi [05H, 00H]
Keyboard Multi provides Ring Modulator (RM), Equalizer
(EQ), Pitch Shifter (PS), Phaser (PH) and Delay (Dly) effects
connected in series.
Ring Modulator is an effect which applies amplitude
modulation (AM) to the input signal, producing bell-like
sounds.
fig.9-59
● RM (Ring Modulator)
+RM Mod Freq (RM Modulation Frequency)
0–127 [1 (40 03 03)]
Sets the frequency at which modulation will be applied.
#RM Bal (RM Balance) 100:0
–0:100
(D:E) [2 (40 03 04)]
Adjusts the balance between the direct and the ring
modulated sound.
“D” and “E” stand for “direct sound” and “effect sound”
respectively.
● EQ (Equalizer)
EQ L Gain (EQ Low Gain) -12–+12 [3 (40 03 05)]
Adjusts the low range gain of the equalizer.
EQ M Fq (EQ Mid Frequency) 200–6.3k [4 (40 03 06)]
Sets the center frequency for the equalizer mid-range.
EQ M Q (EQ Mid Q) 0.5/1.0/2.0/4.0/9.0 [5 (40 03 07)]
Adjusts the width of the area centered at the EQ M Fq
setting in which the gain will be affected. The area affected
will become narrower as this value is increased.
EQ M Gain (EQ Mid Gain) -12–+12 [6 (40 03 08)]
Adjusts the gain of the area specified by the EQ M Fq
parameter and the EQ M Q parameter.
EQ H Gain (EQ High Gain) -12–+12 [7 (40 03 09)]
Adjusts the high-range gain of the equalizer.
● PS (Pitch Shifter)
PS Coarse (PS Coarse Pitch) -24–0–+12 [8 (40 03 0A)]
Adjusts the amount of pitch shift in semitone steps (-2 to +1
octaves).
PS Fine (PS Fine Pitch) -100–0–+100 [9 (40 03 0B)]
Makes fine adjustments to the pitch shift in 2-cent steps(-
100 to +100 cents).
PS Mode (PS Shifter Mode) 1–5 [10 (40 03 0C)]
As this value is increased, the response will become slower
but the sound will be more stable.
PS Bal (PS Balance) 100:0
–0:100
(D:E) [11 (40 03 0D)]
Adjusts the volume balance between the direct and the
pitch shifted sound.
“D” and “E” stand for “direct sound” and “effect sound”
respectively.
● PH (Phaser)
PH Man (Phaser Manual) 100–8.0k [12 (40 03 0E)]
Sets the center frequency at which the phaser sound will be
modulated.
PH Rate (Phaser Rate) 0.05–6.40 [13 (40 03 0F)]
Adjusts the modulation speed of the phaser.
PH Depth (Phaser Depth) 0–127 [14 (40 03 10)]
Adjusts the modulation depth of the phaser.
PH Reso (Phaser Resonance) 0–127 [15 (40 03 11)]
Adjusts the emphasis for the region in the area of the center
frequency specified by the PH Man parameter.
PH Mix (Phaser Mix) 0–127 [16 (40 03 12)]
Adjusts the proportion at which the phase-shifted sound
will be mixed with the original sound.
● Dly (Delay)
Dly Time (Delay Time) 0–635ms [17 (40 03 13)]
Adjusts the time from the original sound until when the
delay sound is heard.
Dly Fb (Delay Feedback Level) 0–127 [18 (40 03 14)]
Adjusts the amount of the delay sound that is returned to
the input.
Dly Mix (Delay Mix Level) 0–127 [19 (40 03 15)]
Adjusts the proportion at which the delay sound is mixed
with the direct sound.
Level (Output Level) 0–127 [20 (40 03 16)]
Adjusts the output level.
Saw1 Saw2
L
R
PHPS
RM
RM
EQ
EQ
Dly
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