3–1: Filter 1 A/B (Filter 1A/Filter 1B)
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Trim [0…99]
Sets the level at which the audio signal output from oscillator 1 is input to filter 1A.
With high settings of this value, or if the Resonance value is high, or when chords are played,
the sound may be distorted. Adjust the volume in “5–1a: Amplifier Level.”
Resonance [00…31]
This setting emphasizes the overtones in the region specified by Frequency, adding tonal character
to the sound. Higher settings will produce a stronger effect.
Resonance Mod By Vel (Resonance Modulation By Velocity) [–99…+99]
This determines how velocity will control the amount of Resonance.
With positive (+) settings, playing more strongly will cause the resonance effect to become closer
to the effect specified by the Resonance setting, and playing more softly will decrease the reso-
nance effect.
With negative (–) settings, playing more strongly will decrease the resonance effect, and playing
more softly will cause the resonance effect to become closer to the amount specified by the Reso-
nance setting.
Filter Type and Cutoff Frequency
Frequency
Level
Level
Level
Level
Frequency
Frequency
Frequency
This filter cuts all frequencies other than
in the region of the cutoff frequency.
This filter cuts only the frequencies in the
region of the cutoff frequency.
Cutoff Frequency
Low Pass
High Pass
Band Pass
Band Reject
This filter cuts the frequencies higher
than the cutoff frequency.
This is the most commonly used type of
filter, and can brighten or darken the
sound by cutting the overtones.
This filter cuts the frequencies lower
than the cutoff frequency.
By cutting the lower frequencies, this
filter can make the sound thinner.
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