Reference • Effects
206
40, 41: Delay & Reverb
These are dual effects which connect a mono delay and
a mono reverb.
40: Delay/Hall combines a delay and a hall reverb.
41: Delay/Room combines a delay and a room reverb.
You can use dynamic modulation to control the
DRY:FX balance parameters of both the delay and
reverb while you play.
42: Delay & Chorus
This effect combines a mono delay and mono chorus
in parallel.
42: Delay/Chorus is an effect which connects a mono
delay and a mono chorus in parallel.
You can use dynamic modulation to control the
DRY:FX parameters of both the delay and chorus
effects while you play.
T Delay time 0…450 ms Set the basic delay length for the
delay effect.
F Feedback –99%…+99% Set the amount of feedback that
will be returned to the input of
the delay. As this value is increa-
sed, the number of delay repeats
will increase, and it will take lon-
ger for the echoes to disappear.
Negative values will invert the
phase of the feedback, causing
the tone of the echo to be har-
der, and less hollow-sounding.
→ Dry:Effect balance DRY,
99:1…1:99,
FX
For both the chorus or flanger
effect and the delay effect, set
the balance between the direct
sound (DRY) and the sound pro-
cessed by the effect (FX). With a
setting of DRY, the effect will be
turned off. With a setting of FX,
only the echoed sound proces-
sed by the chorus or flanger
effect will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 194.
T Delay time 0…500 ms Set the basic delay length for the
delay effect.
F Feedback –99%…+99% Set the amount of feedback; i.e.,
the amount of the delayed sound
that will be returned to the input
of the delay. As this value is
increased, the number of delay
repeats will increase, and it will
take longer for the echoes to
disappear. Negative values will
invert the phase of the feedback,
causing the tone of the echo to
be harder, and less hollow-soun-
ding.
H
D
High damp 0%…99% Set the degree to which the high
frequency range of the delayed
sound will be attenuated. Higher
settings will cause more rapid
attenuation.
Left
Delay
Right
Mix
Mix
Pre Dly Rev
Feedback
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the echoed
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 194.
Reverb time Depends on
the effect
Set the time over which the
reverberation will decay. Hall-
type reverb allows a setting from
0.2–9.9 seconds, and room-type
reverb allows a setting from 0.2–
4.9 seconds.
P Pre delay 0…150 ms This parameter sets the delay
from the direct sound until when
the early reflections of the reverb
are heard. Higher settings will
cause the reverberation to be
distinct, producing an echo-like
sound.
H
D
High damp 0%…99% Set the degree to which the high
frequency range of the reverbe-
ration will be attenuated. Higher
settings will cause more rapid
attenuation.
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the reverbera-
tion will be heard. Other settings
set the proportion of the direct
sound and effect sound.
☞P. 194.
T Delay time 0…500 ms Set the basic delay length for the
delay effect.
Left
Delay
Right
Mix
Mix
Chorus
Feedback
Mod
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