Getting Started
6
10 & 11: Layer A/B Osc 1 and Osc 2
ese areas include the basic settings for the two oscillators in each Layer, including Mode (single Wavetable, double
Wavetable, or Sample), Volume, Wavetable selection, and Wavetable Position and A/B Blend. For more information,
see “Oscillator 1/2” on page 24.
12: Layer A/B Filter
ese areas include the basic settings for the Layer’s lter, including Cuto, Resonance, and Envelope Intensity. For
more information, see “Filter” on page 29.
13: Layer A/B Arp & Motion Seq
ese areas include on/o and preset selection for the Layer’s arpeggiator and Motion Sequencer. For more
information, see “Arpeggiator” on page 47, and “Motion Sequencing 2.0” on page 36.
14: Online Help
When you hover over a parameter or control, this area shows a brief explanation of what it does or how it works. is
area also shows the specic action that will be aected by Undo and Redo; see below.
15: Mod Knobs
e Mod Knobs can control any number of parameters in any of the Layers; they will do dierent things depending on
the specic sound. e knob values are stored, and can themselves be modulated. You can use the Mod Knobs in real-
time performance, and also save the results as new sounds.
16: Undo and Redo
modwave native supports multiple levels of undo and redo for most actions, including importing data, deleting,
renaming, editing Set Lists, editing parameters, and so on. For instance, you could import a bundle le containing a
thousand objects, edit Filter Cuto, rename all of your Programs, and nally add a new modulation routing to Amp
LFO Frequency, and safely undo all actions in turn.
e counter-clockwise arrow (“go back”) is Undo, and the clockwise arrow (“go forward”) is Redo. Hover over the
arrows, and the Online Help area shows the action which will be undone or redone.
Undo Redo
Undo/redo history is maintained separately for the Librarian and Play/Edit modes. e names of the undo/redo
commands change to reect this; for example, “Editor Undo: Value Change: Cuto” or “Librarian Undo: Update
Na m e .”
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