Song Mode and the Song Editor
Tutorial: Arrangements
12-15
Timing problems can also occur between steps due to improperly-located endpoints. If you have 
a timing problem, you should check in the Event Editor to make sure the end point of each step 
falls on the Þrst beat of the bar after the last bar of the step. For example, if your step is 8 bars 
long, the end point should be at 9:1:000.
Removing Initial Events from Step One
Since you almost always want to have initial Program, Bank, Volume, and Pan events in an 
arrangement to make sure it plays properly, it makes sense to have those events in each track of 
the song used for the Þrst step on the arrangement. But what if that same song is used in a later 
step, or Step 1 plays a number of times? In this case, as soon the step restarts, you have 
unneeded events that could contribute to delays.
In this case, the solution is to delete those initial events from the Step 1 song, and record them 
into the arrangement song. In the arrangement song, select a recording track, press Record, then 
highlight the Program parameter and select the program you want for the track. You can also 
select the Pan and Volume parameters if you want to set them to a speciÞc volume. Once you 
have these parameters set, press Stop. You need to do this for each track that you are using in 
the song.
Recording Additional Tracks
So far, all of the recording weÕve described has been done in the individual songs used as steps. 
The arrangement song we created has no data in it.
But you can also record tracks in the arrangement song. For example, you might want to record 
a series of rhythm section grooves:  just bass, drums, and maybe some comping parts. Now you 
can use those grooves as step in an arrangement, then record lead lines through the entire 
arrangement.
1. Follow Steps 1 through 6 of Creating an Arrangement on page 12-12 to create an 
arrangement song, using some different grooves you have created.
2. Start recording new tracks in the arrangement song. Remember that each MIDI channel 
can have only one program assigned to it. Therefore you may want to select the tracks you 
record in the arrangement song so that their MIDI channel assignments are different from 
those of the tracks in the step songs.
Maximizing Track Use
If you extend the previous example, youÕll realize that you can actually make use of 32 MIDI 
channelsÑby creating an arrangement containing steps that use all 16 channels, then recording 
16 channels of music in the arrangement song itself. Both the step songs and the arrangement 
song can play back through the K2600, through another instrument connected to the K2600Õs 
MIDI Out port, or through both.
It is important to remember that there are still only 16 MIDI channels, and any one MIDI channel 
can play only one program. Therefore there is no way to have more than 16 different programs 
playing at the same time on the K2600. But there are two reasons why you would want to use 
more than 16 tracks.
First, you can have two or more tracks assigned to the same MIDI channel. For instance, if you 
were recording drums, you might want to put different drums from the same program on 
different tracks, to make recording and editing easier. On the bottom line of the display on the 
MAIN page in Song mode, there are 16 channel parameters, one for each track. The numbers 
donÕt represent tracks; they represent the trackÕs MIDI channel assignment. (The dashesÑor