285
Effects List
51: SHUFFLE DELAY
 
Adds a shuffle to the delay sound, giving the sound a bouncy delay 
effect with a swing feel.
 
fig.MFX-51
 
52: 3D DELAY
 
This applies a 3D effect to the delay sound. The delay sound will be 
positioned 90 degrees left and 90 degrees right.
 
fig.MFX-52
 
53: TIME CTRL DELAY
 
A stereo delay in which the delay time can be varied smoothly.
 
fig.MFX-53
 
Delay 3 Feed-
back #
-98– +98% Proportion of the delay sound 
that is to be returned to the in-
put of the tap delay (negative 
values invert the phase)
Delay HF 
Damp
200–8000 Hz, BY-
PASS
Frequency at which the low-
frequency content of the tap 
delay sound will be cut (BY-
PASS: no cut) 
Delay 1 Pan’, 
‘Delay 2 Pan
L64–63R Panning of the tap delay 
sounds
Delay 1 Level’, 
‘Delay 2 Level
0–127 Volume of the tap delay 
sounds
Low Gain -15– +15 dB Amount of boost/cut for the 
low-frequency range
High Gain -15– +15 dB Amount of boost/cut for the 
high-frequency range
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay 
sound (W)
Level 0–127 Output volume
 
Parameter
Value Description
 
Delay Time #
0–2600 ms, 
note
Adjusts the time until the delay sound is 
heard.
Shuffle 
Rate #
0–100 % Adjusts the ratio (as a percentage) of the 
time that elapses before Delay B sounds 
relative to the time that elapses before the 
Delay A sounds.
When set to 100%, the delay times are 
the same.
Acceleration 0–15 Adjusts the time over which the Delay 
Time changes from the current setting to 
its specified new setting.
Feedback # -98– +98 % Adjusts the amount of the delay that’s 
fed back into the effect. Negative (-) set-
tings invert the phase.
HF Damp 200–8000 Hz, 
BYPASS
Adjusts the frequency above which 
sound fed back to the effect is filtered 
out. If you don’t want to filter out any 
high frequencies, set this parameter to 
BYPASS.
Pan A/B 0–127 Stereo location of Delay A/B
Level A/B 0–127 Volume of delay A/B
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W
Volume balance between the direct 
sound (D) and the effect sound (W)
Level 0–127 Output level
 
Parameter
Range Explanation
Feedback
L in
R in
Delay
L out
R out
2-Band
EQ
2-Band
EQ
A
B
Delay A
Delay B
L
R
3D Delay L
3D Delay R
3D Delay C
Level
Feedback
2-Band
EQ
2-Band
EQ
L out
R out
 
Parameter
Value Description
 
Delay Left 0–2600 ms, note  Adjusts the delay time from 
the direct sound until the de-
lay sound is heard.
Delay Right
Delay Center
Center 
Feedback #
-98– +98 % Adjusts the proportion of the 
delay sound that is fed back 
into the effect. Negative (-) 
settings will invert the phase.
HF Damp 200–8000 Hz, BYPASS Adjusts the frequency above 
which sound fed back to the 
effect will be cut. If you do not 
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
Left Level  0–127 Output level of the delay 
sound
Right Level 
Center Level 
Output Mode SPEAKER, PHONES Adjusts the method that will 
be used to hear the sound that 
is output to the OUTPUT 
jacks. The optimal 3D effect 
will be achieved if you select 
 
SPEAKER
 
 when using speak-
ers, or 
 
PHONES
 
 when using 
headphones.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the 
direct sound (D) and the effect 
sound (W)
Level 0–127 Output Level
 
Parameter
Value Description
 
Delay Time #
0–1300 ms, note Adjusts the time until the delay 
is heard.
Acceleration 0–15 Adjusts the time over which the 
Delay Time changes from the 
current setting to a specified new 
setting.
The rate of change for the Delay 
Time directly affects the rate of 
pitch change.
Feedback # -98– +98 % Adjusts the amount of the delay 
that’s fed back into the effect. 
Negative (-) settings invert the 
phase.
HF Damp 200–8000 Hz, 
BYPASS
Adjusts the frequency above 
which sound fed back to the ef-
fect is filtered out. If you do not 
want to filter out any high fre-
quencies, set this parameter to 
BYPASS.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W
Volume balance between the di-
rect sound (D) and the delay 
sound (W)
Level 0–127 Output level
R in
R out
L in
L out
Feedback
Feedback
Pan L
Pan R
Time Ctrl Delay
Time Ctrl Delay
2-Band EQ
2-Band EQ
Fantom-X678_r_e.book 285 ページ 2005年5月12日 木曜日 午後4時40分