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Trigon-6 Operation Manual
Low Frequency Oscillator
The Trigon-6 has a sixth “hidden” LFO waveshape that you can use as a
modulation source — noise. To access this, choose random then turn frequency all the
way clockwise. This generates a white noise waveform.
Frequency: Sets the frequency of the LFO waveshape routed to the
destination. See also “LFO Sync” below.
LFO Sync: When on, the LFO synchronizes with the arpeggiator,
sequencer, or MIDI clock. By default, the LFO wave cycle is reset when you
press a key (but is not reset if you press a key while other notes are held).
Shape: Triangle, Sawtooth, Reverse Sawtooth, Square, Random—The
wave shape of the LFO. A sixth waveshape, noise, can be generated by
selecting random and turning the frequency knob all the way to the right.
Amount: Sets the initial amount of LFO modulation routed to the
selected destinations. Setting an amount here applies the selected modu-
lation continuously. If you set this parameter to zero but still select a
modulation destination, modulation is only applied when using the Mod
Wheel.
Freq 1: Selects the frequency of Oscillator 1 as a modulation destination.
Use a triangle wave as a source to create vibrato. Use a square wave to
create trills.
Freq 2: Selects the frequency of Oscillator 2 as a modulation destination.
Freq 3: Selects the frequency of Oscillator 3 as a modulation destination.
Can be applied while Oscillator 3 is in lo mode.
PW 1: When Oscillator 1 is set to square wave, this modulates the pulse
width of the wave. Use a triangle wave LFO to create a chorus-like effect
often used to emulate strings.
PW 2: When Oscillator 2 is set to square wave, this modulates the pulse
width of the wave.
PW 3: When Oscillator 3 is set to square wave, this modulates the pulse
width of the wave. Can be applied while Oscillator 3 is in lo mode.
Filter: Selects the Filter frequency as a modulation destination. Use a
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