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92 M32 - Digital Console User Manual 93

Suboctaver

The Octave Eect combines the input signal with a digitally synthesised sound one or two octaves below the original

signal. This can be used to thicken up guitar sounds, or to add extra ‘punch’ to kick drums.

The controls for the Suboctaver are split between two discreet layers. Pressing the rst rotary control toggles the eect for

each layer on or o. The second control increases the amount of the aected signal that is present in the output mix. The

third control switches the range of the signal between LO, MID and HI. The fourth and fth controls adjust the level for

each of the individual lower octaves. To navigate between the two layers, use the up and down navigational controls.

Tremolo / Panner

Stereo Tremolo creates an up and down volume change at a constant and even tempo just like the guitar amps of yester-

year. Use the M32’s Stereo Tremolo to add a unique ‘surf-music’ texture to a vocal or instrumental track.

SPEED adjusts the LFO rate, and DEPTH sets the amount of modulation. PHASE can be used to set an LFO phase dier-

ence between the left and right channels, which can be used for panning eects. The WAVE rotary control blends the LFO

waveform between triangular and square shapes. The signal envelope , shaped by ATTACK, HOLD and RELEASE, can be

used to modulate the LFO speed (ENV SPD) and the LFO modulation depth (ENV DPTH).

Delay + Chamber

Here we have combined Delay and Chamber reverb, so that a single device can supply a variety of delay settings, plus add

just the right amount of reverb to the selected signal. This device only uses one eects slot. Inspired by the Lexicon PCM 70.

Use the BALANCE rotary control to adjust the ration between delay and reverb. Low frequencies can be excluded with

the LO CUT rotary control, and MIX adjust how much of the eect is added to the output signal. The TIME rotary control

adjusts the delay time for the left channel delay, and PATTERN sets the delay ratio for the right channel delay. Adjust the

FEEDBACK and trim some high frequencies with the FEED HC (high-cut) rotary control. The XFEED rotary control allows

you to send the delay sound to the reverb eect, so instead of running completely parallel, the reverb aects the echoes

to a selected degree. The PREDELAY rotary control determines the delay before the reverb aects the signal. The DECAY

rotary control adjusts how quickly the reverb fades. SIZE controls how large or small the simulated space (room, cathedral,

etc.). The DAMPING rotary control determines the decay of high frequencies within the reverb tail.

Chorus + Chamber

Taking up only one FX slot, the Chorus + Chamber eect combines the shimmer and doubling characteristics of a stu-

dio-grade chorus with the sweet sound of a traditional chamber reverb. Inspired by the Lexicon PCM 70.

The BALANCE rotary control adjusts the balance between chorus and reverb. Low frequencies can be excluded with the LO

CUT rotary control, and the MIX rotary control adjusts how much of the eect is added to the signal. SPEED, DELAY and

DEPTH adjust the rate, delay and modulation depth of the chorus. The LFO PHASE between the left and right channels

can be oset by up to 180°, and WAVE adjusts the LFO waveform from a sine wave to a triangular wave. The PREDELAY

rotary control determines the delay before the reverb aects the signal. The DECAY rotary control adjusts how quickly the

reverb fades. SIZE controls the size of the simulated space (room, cathedral, etc.). The DAMPING rotary control determines

the decay of high frequencies within the reverb tail.

Provisional

Midas M32 User Manual

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