white and black keys (each representing a semitone) within an octave. By playing only the keys
belonging to some scale, you are certain to stay “in key” within that scale. Important to note
though, is that scales are not made up by absolute note values, but rather consist of relative
changes  in  pitch—or  steps  along  the  scale.  For  example,  the  major  scale  consists  of
“whole step–whole step–half step–whole step–whole step–whole step–half step,” which means
that you can transpose the scale up and down a keyboard; choose any root note you want and
play the scale from there.
Chords
Polyphonic Instruments let you play multiple notes simultaneously—in other words chords. As
an example, let’s see how to build up a chord by selecting individual notes from a scale and
playing them simultaneously. In this case, we’ll use the C major scale. As we saw above in sec-
tion 6.2.1, the major scale starts with two whole steps, followed by a half step, and then three
more whole steps until it ends with another half step. We can use this knowledge to play a C
major chord by  pressing the  root note  C,  then pressing  another key  two whole steps  above C
(the E note) and then yet another key a half step and a whole step further up the keyboard (the
G note) all simultaneously. This C major chord corresponds to a root note (C), a third (E) and a
fifth  (G),  which  is  the  note  interval  of  a  major  triad.  By  playing  a  triad  chord  you  have  just
learned  the  concept  of  musical  harmony,  where  notes  are  stacked  together  into  chords  and
played simultaneously.
Arpeggiator sequences
In above section you read about the combination of notes and playing them together as chords.
You can also play them like diachronic note sequences, quite like playing the harp—or arpeg-
giator sequence. If chords have to do with adding harmony to a note, then arpeggiator sequen-
ces add time and rhythm. Instead of playing a chord consisting of three notes simultaneously,
you can play the same three notes as a sequence in a given order (e.g. top-down) and at a cer-
tain rate (e.g. 1/16 notes). This is also a way for monophonic Instruments to play “chords.”
13.2 Playing a Scale
 
To  select  and  play  a  scale  on  the  KOMPLETE  KONTROL  S-Series  keyboard,  follow  these  in-
structions:
Playing and Editing Scales and Chords
Playing a Scale
 
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