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(If under these conditions the dierence between input and lter frequency
becomes very large, low-frequency beating may occur which may be useful or
merely obnoxious.)
A slightly technical note on lter resonance. Refer to Figure 7-1. As the input
signal frequency approaches cuto frequency, phase shift of the lter output
approaches 180 degrees (inversion). The resonance feedback amplier is an
inverter. Therefore these two inversions result in a net phase match at the
cuto frequency (which becomes the resonant frequency), due to the positive
feedback. These frequencies are boosted, while frequencies farther below
cuto are attenuated due to the net negative feedback which they receive.
ENVELOPE AMOUNT
As shown on Figure 7-1, this parameter sets the amount of lter envelope
which is allowed to modulate the cuto.
To adjust envelope amount, press Env Amount and use the slider (00- 99).
Env Amount has crucial control over the lter modulation of each program. It
sets the maximum positive or negative depth of “contour” modulation applied
by the envelope generator to the lter cuto. It is very important for balancing
the eect of the envelope against the Cuto parameter. When Env Amount is
set to 0, there is no envelope. In this case, cuto control primarily results from
the cuto, keyboard modulation source amount, and velocity.
As the envelope amount is adjusted towards either extreme, the timbre of the
note depends increasingly on the lter envelope, most notably at low cuto
settings. When Env Amount is set positively, the cuto frequency never goes
below the Cuto level. When set negatively, the cuto frequency never goes
above the Cuto level. To generate more noticeable frequency sweeps when
Env Amount is increased toward +99, Cuto is usually decreased.
(To more clearly hear the eect of a lter sweep, temporarily increase the
resonance to the point where you can more distinctly hear the changes in the
resonant pitch.)
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