GUITAR PREAMP
The 2112 offers world famous DigiTech Preamp tones
that have become an absolute necessity in the Recording
Studio or on Stage.
C
OMPRESSION: Every program of the 2112 has a
dynamic range Compression circuit specially designed
to be used in guitar applications.
D
UAL D
ISTORTION PATHS
: Now you really do have
even more choices with the 2112’s distortions. Within
the signal path of the 2112, you can select which distor-
tion path the signal is routed through. Along with dis-
tortion path selection, you can also run the two in par-
allel, and morph between the two paths. And, if having
these options were not enough, the 2112 gives you the
ability to combine and pan both Distortion paths to the
right and the left at the same time to produce “mam-
moth” guitar tones.
DUAL TUBES AND EQ: When the Dual Tube distor-
tion tube path is selected, you have two 12XA7 pre-
amp tubes at your tone disposal, as well as a dedicat-
ed 10-band graphic EQ. After the 10-Band EQ, the
Dual Tube EQ path is run into the Speaker Cabinet
Emulator, which can be placed before or after the
digital effects section.
SOLID STATE AND EQ: With the Solid State distor-
tion path selected, you get the versatility of solid
state distortions along with the 10-band EQ. From
here, the Solid State Distortion path is run into the
Speaker Cabinet Emulator.
D
IGITALLY CONTROLLED ANALOG WAH: Now you can
have vintage analog Wah effects at your finger tips and
toes.The digitally controlled analog Wah produces true
Wah tonal characteristics, while being controlled digital-
ly, thus remaining quiet.
N
OISE REDUCTION: With the Silencer II noise reduc-
tion system, you can hear a pick drop. Back ground
noise in recordings will no longer be getting it’s “big
chance” to go to tape with noise reduction of this cal-
iber.
P
ROGRAMMABLE CABINET EMULATION: The days of
spending hours upon hours trying to mic' a speaker
cabinet to get a good sound are now just a thing of the
past with the Programmable Cabinet Emulation Module
in the 2112. Whether it be live or in the studio, just
about any speaker cabinet emulation is possible by sim-
ply running directly to the board, or to tape.
DIGITAL EFFECTS
When it comes to digital multi effects, Digitech’s reputa-
tion is second to none.We’ve been perfecting this art
form for almost twenty years, so you know that the 2112
is loaded to the hilt with a pristine, ultra-quiet digital
effect section.
E
FFECTS INCLUDE:
• Digital EQ
• Noise Gates
• Reverbs
• Choruses
• Flangers
• Intelligent Pitch Shifters
• Chromatic Pitch Shifters
• Detuners
• Digital Delays
• Long Delays (lower-bandwidth for double delay
times)
• Smooth Whammy
• Phasers
• Tremolos
• Auto Panners
• Rotary Speaker Emulation
U
PTO 8 DIGITAL EFFECTS AT ONCE (DUAL S-DISC II
CONFIGURATIONS) When utilizing a dual S-DISC II con-
figuration, you can link up to 8 digital effects at once
from the vast effect palette.
S
EAMLESS PROGRAM CHANGES (SINGLE S-DISC II
ALGORITHMS): Smooth program changes are a breeze
with Seamless program changes.When a program
change is made, there is no apparent “drop out” of sig-
nal.Along with no signal loss, you can also program the
hold and release times so program effects overlap each
other in turn, producing a morphing effect.
Setting and changing seamless program times can be
done on Page 5 of the Master mix menu of each pro-
gram in the Edit mode. Seamless program changes time
range from 0.0 seconds to Infinity for both hold and
Ramp times.
R
EAL TIME MODIFIERS: Modifiers are unique tools that can
be used to dramatically alter your sound based on infor-
mation from signal amplitude, the settings of a Low
Frequency Oscillator (LFO) or MIDI Continuous
Controller information.
Every Program in the 2112 has a set of Modifiers. Up to
16 Modifier links can be assigned to control parame-
ters.There are three types of Modifiers that can be
linked to a parameter: MIDI CCs, LFOs, and Dynamic
(signal level dependent).
6
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