Application Guide
83
PLM Series Operation Manual rev 1.1.9
10.3.6 Amp Gain
The Amp Gain corresponds to the gain adjustment in a conventional separate loudspeaker processor and
amplier system. When using a pre-dened Module loudspeaker preset le, the Amp Gain settings will
normally remain as dened in the le. The limiter and output gain settings of the Module were congured
with this gain setting and will not be automatically compensated if changes are made. This conguration
scheme, though unusual, allows for compatibility with legacy Dolby / Lake products.
When creating a loudspeaker preset Module le, adjust by navigating to I/O CONFIG >
EVENTS & CONTROL > CONTROL in the Lake Controller. Please refer to the Lake Controller Operation
Manual for further details.
10.4 Gain / Level Optimization
10.4.1 Maximize Volume Capability
To maximize the volume capability of the device, ensure there is sufcient headroom in the signal path to
avoid clipping before the limiters engage. It must be possible to achieve enough gain through the device to
engage the limiters and realize a high average SPL. As an optimal setting, allow for a headroom of 10 dB or
more for all channels; the simplest way to accomplish this is to increase the Module input gain.
10.4.2 Minimize Noise
To help provide the best volume to noise ratio, use an AES or Dante digital input signal wherever possible. If
using analog inputs, ensure that unused or unnecessarily high headroom is not introduced at the input to the
device. If full or high average power is not required, the Module input gain may be reduced.
10.4.3 Gain Optimization Examples
This section provides examples on performance effects resulting from changes to the PLM gain structure.
10.4.3.1 Digital Input Gain Structure Examples
Figure 10-2 illustrates the recommended conguration of the PLM when using an AES or Dante digital input.
▸ Input Clip: 0 dBFS
▸ Amp Gain: 35 dB
▸ SNR: 114.2 dB
▸ Absolute Noise Floor: -71.3 dBu
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