Alesis ANDROMEDA A6 Tips And Tricks

9.8 global midi sync:......................................................................................................................................50
9.9 using external midi cc controllers:.........................................................................................................50
9.10 transmitting / receiving programs:.....................................................................................................50
9.11 transmitting midi knobs:.......................................................................................................................50
Section 10: EFFECTS TIPS...................................................................................................52
10.1 emulating more lexicon-like sounds:..................................................................................................52
10.2 panning a delay:.....................................................................................................................................52
10.3 effects and clipping:...............................................................................................................................52
10.4 instant stereo delay:...............................................................................................................................52
10.5 effects 101:...............................................................................................................................................53
Section 11: TIPS FOR DESIGNING BASS SOUNDS....................................................54
11.1 resonance and bass:...............................................................................................................................54
11.2 envelopes: ...............................................................................................................................................54
11.3 the fat, deep sawtooth sound:..............................................................................................................54
11.4 filter feedback:........................................................................................................................................55
11.5 dub bass design hints from colin:........................................................................................................55
11.6 getting better bass from mike peake:...................................................................................................55
11.7 setting the engine optimizer:................................................................................................................55
11.8 gain possible clarity by running the filters in series:.........................................................................56
11.9 colin’ s notes on the shapes and sound:...............................................................................................56
Section 12: TIPS FOR DESIGNING WET SOUNDS.....................................................57
12.1 the two filters explained:.......................................................................................................................57
12.2 feed the resonant 12db highpass into a 24db resonant lowpass:.....................................................57
12.3 feed 12db lowpass into a 24db open filter, with feedback...............................................................58
12.4 filter feedback in place of resonance...................................................................................................58
12.5 working around the filter 2 resonance bass drop:.............................................................................58
12.6 post-mix levels and pre-mix levels:.....................................................................................................59
12.7 preventing clipping on the filters: ......................................................................................................59
12.8 the fat, deep square squelch:................................................................................................................60
Section 13: GETTING A BETTER MINIMOOG SOUND............................................61
13.1 use filter 2:...............................................................................................................................................61
13.2 run filter 2 in series with filter 1:..........................................................................................................61
13.3 run filter 1 in series with filter 2, set filter 1 cutoff to 22khz:...........................................................61
13.4 use log1 envelope slopes:......................................................................................................................61
13.5 use the fast pitch and snappy envelopes in the engine optimizer:..................................................61
13.6 posted by consequence: ........................................................................................................................61
13.7 randomizing hints from mike peake:..................................................................................................61
13.8 michael calaroso’ s minimoog squelch filter trick:.............................................................................62
13.9 colin’ s technique for adding some minimoog snap:.........................................................................63
13.10 michael caloroso’ s filter feedback tip:...............................................................................................64
13.11 suggestions by consequence:..............................................................................................................64
13.12 mike peake’ s suggestions:...................................................................................................................64
13.13 mix levels:.............................................................................................................................................64
Section 14: TIPS FOR DESIGNING PAD SOUNDS.....................................................66
14.1 bandpass -> lowpass pads:...................................................................................................................66
14.2 using the filters for a jean-michel jarre style phased pad:................................................................67
14.3 setting the engine optimizer:................................................................................................................67

Alesis ANDROMEDA A6 Specifications

General

Brand	Alesis
Model	ANDROMEDA A6
Category	Synthesizer
Language	English