90
ReducetheleveloftheBandMixsection,especiallyifyouhaveincreasedtheoutputofone
ortwoparticularbandstoachieveaparticularsound.
RaisethethresholdoftheMultibandLimiterstokeeptheaudiofromhittingthelimitersas
hardorasoften.
LowerthetargetsoftheMultibandAGCcompressors.(YoumayneedtolowertheBandMix
leveltokeepfromdrivingthefinalclippertoohardwhenmakingthisadjustment).
UseslowerattackandreleasespeedsintheInputAGC,WidebandAGC,andMultibandAGC
sections.
Use“looser”ratiosintheInputAGC,WidebandAGC,andMultibandAGCsections.
AchievingLoudness
Ifloudnessisanimportantprocessinggoal,andyouarewillingtoacceptmoreprocessingartifacts
andgiveupsomequality,herearesomesuggestions:
Use“tighter”ratiosintheInputAGC,WidebandAGC,andMultibandAGCsections.
UsefasterattackandreleasespeedsintheInputAGC,WidebandAGC,andMultibandAGC
sections.
RaisethetargetoftheMultibandAGCcompressors.(YoumayneedtoraisetheBandMixto
compensateforadditionalgainreductionthisproducesinthecompressors).
LowerthethresholdoftheMultibandLimiters.
IncreasetheoverallBandMixlevel.
RaisetheClipperDrive(FMcore)orFinalLimiterDrive(HDandStreamingcores)in0.25dB
stepsuntiladvancingthecontrolnolongeryieldsadditionalloudness,onlymoredistortion,
andthenbackoffanotch.
SpectralConsistency&Equalization
Stationsoftenwanttocreatetheirown“signaturesound”ontheairwithaspectrallyconsistent
outputwithoutregardtothefrequencybalanceoftheoriginalsourcematerial.
TherearebasicallythreewaystoalterthespectralbalanceofyoursoundwithOmnia.9,andeach
providesadifferentendresult: