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Appendix
The PGM (single program) file
Program name (file name is used)
For each of the 64 pads (A01-D16):
• Note number assignment
For each of the 64 note numbers 35-98:
• Sound name (name only—program contains no sound
data)
• Sound assignment mode (normal, simultaneous, velocity
switch or decay switch)
• Alternate note number assignments (2)
• Velocity or decay switch thresholds (2)
• Envelope attack, decay and decay mode
• Velocity modulation of attack, start address and volume
• Tuning
• Poly mode (poly, mono or note off)
• Cutoff assignments (2)
• Filter frequency
• Velocity modulation of filter frequency
• Filter resonance
• Filter envelope attack, decay and amount
Note variation data:
• Note number assignment for slider
• Low and high range limits for each of the four parameter
types (tuning, attack, decay, or filter frequency)
• For each of the 64 note numbers (35-98):
• Note variation parameter select
Program mixer data (for each of the 64 note numbers 35-98):
• Stereo mixer volume and pan
• Individual out/effects mix assignment
• Individual out/effects mix volume
• Indiv Out/Effects Mix Volume Follows Stereo (yes/no)
Program effects settings
The APS (all programs and sounds) file
Program data for each of the 24 programs (see above)
Active program number
Source of mixer data (program, sequence or master):
• For stereo mix
• For individual output/effects mix
• For effects
Record live mix changes setting (on/off)
Audio trigger note number assignment
Master mixer data (for each of the 64 note numbers 35-98):
• Stereo mixer volume and pan
• Individual out/effects mix assignment
• Individual out/effects mix volume
• Indiv Out/Effects Mix Volume Follows Stereo (yes/no)
Master effects settings
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