Kurzweil Forte SE - Page 189

Keymap and Sample Editing
The Keymap Editor
9-2
Of course, you can assign sample roots with dierent timbres within the same keymap.
Many of the drum kit keymaps in ROM, for example, have about 20 key ranges, with several
dierent timbres assigned as the sample roots. You can also create a keymap with a single
key range that spans from C 0 to G 10, if you want to stretch a single sample root from C 0
to G10. Keep in mind, however, that samples can only be transposed upward by an octave
from the sample’s original pitch. Samples can be transposed downward without limit.
ink of a keymap as if it were a single piece of string, divided into dierent sections that
adjoin one another. Sections cannot overlap. If you have one range that goes from C4 to F4
and another that goes from F#4 to C5, then if you change the rst range to be C4 to G4, the
second one will change to be G#4 to C5.
Also, you can’t have “nothing” assigned to a key range. Even if it is Silence (#999), there will
always be a sample assigned to every range in the keymap. is is something to watch out
for when creating drum programs. For example, let’s say you are creating a program with
20 layers. Each layer has its own keymap, which has just one sample assigned to part of the
keyboard with the rest of the key range assigned to Silence. Make sure that you limit the
note range of each layer using the LoKey and HiKey parameters on the LAYER page in the
Program Editor. If each layer covers the entire range, then each note you played would trigger
20 voices (one for each layer). You would only hear one drum per note because all the other
layers are triggering “Silence.” Because of the voice-stealing algorithms in the Forte SE, the
voices would almost immediately become available again, since they have no amplitude. But
for one brief instant, the voice would be triggered, which could cause other voices to be cut
o.
You can also create multi-velocity keymaps—that is, keymaps that will play dierent timbres
depending on the attack velocities of your Note On events. For example, Keymap 7 Piano
3Vel L has 3 velocity ranges. Each key range in a multi-velocity keymap contains two or
more distinct sample roots that the Forte SE chooses between, according to the attack
velocity of the note. See Velocity Range (VelRange) on page 9-4.
e Keymap Editor is nested within the Program Editor. e rst step in using the Keymap
Editor is to select the keymap you want to edit. is is done on the KEYMAP page in the
Program Editor, using the Keymap parameter. Once you’ve done this, just press the Edit
button, and you’ll enter the Keymap Editor. If you want to edit a dierent keymap, press
the Exit button to return to the KEYMAP page in the Program Editor and select the desired
keymap. If you want to build a keymap from scratch, start with the keymap 999 Silence
(Building a Keymap on page 9-9). is keymap template contains one key range from C 0
to G 10, and is a convenient starting point for adding key ranges and assigning sample roots.
e Keymap-editor page looks like this: