Working with the 16-Track Sequencer
90
GLOBAL CHANGE
This function allows you to make quick changes to certain settings. 
The changes always apply to entire tracks (you cannot use GLOBAL 
CHANGE for just a few measures). Designed to help you “enhance” 
Standard MIDI Files, it is a wonderful tool for the following 
applications:
•   “Upgrading” older Standard MIDI Files to take advantage of the 
BK-9’s new sounds.
•  Global changes to the Reverb and/or Chorus Send values, which 
is very convenient when you suddenly notice that the eect is 
too prominent or not strong enough.
Left Display
 
Right Display
Parameter Setting Explanation
Track All, Trk 1~ Trk 16
Allows you to select the track you 
wish to edit. You can also select “ALL” 
here, in which case the operation 
applies to all tracks.
From CC00
--, 0~127, ALL
This control change is the so 
called “MSB” bank select message. 
It allows you to select the Capital 
Tone (select “0”) of a sound 
address if you don’t want to use 
variations or to select another 
variation level. The “To CC00” value 
= 0” can be useful for ensuring 
GM compatibility, because that 
standard (unlike GM2 or GS) does 
not support tone variations.
Select “---” if the current setting 
must not change.
To CC00
From CC32
--, 0~127, ALL
This control change is the so 
called
“LSB” bank select message. 
Select “---” if the current setting 
must not change.
To CC32
From PC
--, 1~128, ALL
Use this parameter to change the 
program change number, (e.g. 
from “1” to “2”). 
Select “---” if the current setting 
must not change.
To PC
Inc/dec Volume
–127~127
These parameters allow you to 
add (+ or subtract (–) a given 
value to/from the current Volume, 
Expression, Pan, Reverb Send or 
Chorus Send values. This may 
come in handy if the real-time 
changes you recorded turn out to 
be too high or too low.
Inc/dec Reverb
Inc/dec Expression
Inc/dec Chorus
Inc/dec Panpot
SHIFT CLOCK
SHIFT CLOCK allows you to shift the notes within the selected 
FROM/TO range. It can be used for two things:
•  To correct “slow” notes due to a slow(er) attack.
You may want to use SHIFT CLOCK after assigning a sound to 
a track that has a considerably slower attack than the sound 
you used for recording the part in question. This technique 
is frequently used in pop music to “time” 1/16-note string 
arpeggios played with a “slow” pad sound.
Rather than have the notes begin at the mathematically correct 
time (e.g. 2-1-0), you could shift them to the left (e.g. to 1-4-115), 
so that the peak volume of the attack is reached on the next 
beat:
Original positions (slow attack, 
timing seems o
Shift= –5 
(timing sounds OK)
•  To correct the timing of notes recorded via MIDI without 
quantizing them.
You can use external sequences as raw material for your songs. 
Recording such excerpts via MIDI may cause a slight delay (e.g. 
5 CPT). If that is not acceptable, use SHIFT CLOCK to “push” the 
recorded data to the left (select “–5”). That allows you preserve 
any irregularities the original may contain because it was not 
quantized.
Left Display
 
Right Display
Parameter Setting Explanation
Track All, Trk 1~ Trk 16
Allows you to select the track you wish 
to edit. You can also select “ALL” here, 
in which case the operation applies to 
all tracks.
From Bar
For details information see p. 85.
From Beat
From Cpt
To Bar
To Beat
To Cpt
Data Type
ALL, Note, 
P.Bender, Control 
Change, Program 
Change, NRPN, 
RPN, CAF, 
Allows you to select the data to be 
shifted.
Value (Cpt) –4800~4800
This parameter sets the amount by 
which the notes are shifted. The value 
refers to CPT units (one CPT= 1/120 Q).
Notes on the rst beat of the rst bar 
cannot be shifted further to the left, 
because that would mean shifting them 
to the “0” measure, which doesn’t exist.
If “Data Type” (see above) is set to “Note” the following parameters 
are displayed also.
Parameter Setting Explanation
From Note C-~G9
This parameter allows you to set the 
note (or lower limit of the note range) 
to be copied within the specied 
“From”/“To” time range.
To Note C-~G9
This parameter allows you to set the 
upper limit of the note range to be 
copied within the specied “From”/“To” 
time range.
If “Data Type” (see above) is set to “Control Change” the following