Roland JD-XA - 09: Phaser1; 10: Phaser2; 11: Phaser3

28
Eects
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit
(in inches) and the number of units.
Type Cabinet Speaker Microphone
SMALL 1 Small open-back enclosure 10 Dynamic
SMALL 2 Small open-back enclosure 10 Dynamic
MIDDLE Open back enclosure 12 x 1 Dynamic
JC-120 Open back enclosure 12 x 2 Dynamic
BUILT-IN 1 Open back enclosure 12 x 2 Dynamic
BUILT-IN 2 Open back enclosure 12 x 2 Condenser
BUILT-IN 3 Open back enclosure 12 x 2 Condenser
BUILT-IN 4 Open back enclosure 12 x 2 Condenser
BUILT-IN 5 Open back enclosure 12 x 2 Condenser
BG STACK 1 Sealed enclosure 12 x 2 Condenser
BG STACK 2 Large sealed enclosure 12 x 2 Condenser
MS STACK 1 Large sealed enclosure 12 x 4 Condenser
MS STACK 2 Large sealed enclosure 12 x 4 Condenser
METAL STACK Large double stack 12 x 4 Condenser
2-STACK Large double stack 12 x 4 Condenser
3-STACK Large triple stack 12 x 4 Condenser
09: Phaser1
(Phaser 1)
This is a stereo phaser. A phase-shifted sound is added to the
original sound and modulated.
R in
R out
L in
L out
Phaser
Mix
2-Band
EQ
Phaser
2-Band
EQ
Mix
Parameter Value Explanation
Mode
4-STAGE,
8-STAGE,
12-STAGE
Number of phaser stages
Manual # 0–127
Center frequency at which the
sound is modulated
Sync Hz, NOTE
Hz: The Rate value is specied in Hz.
NOTE: The Rate value is specied as
a note value.
Rate #
0.05–10.00 Hz,
note
Modulation rate
Depth 0–127 Modulation depth
Polarity
INVERSE,
SYNCHRO
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE: The left and right phase
will be opposite.
When using a mono source, this
spreads the sound.
SYNCHRO: The left and right phase
will be the same.
Select this when inputting a stereo
source.
Resonance # 0–127 Amount of feedback
Feedback -98–+98%
Adjusts the proportion of the phaser
sound that is fed back into the
eect.
Negative (-) values invert the phase.
Mix # 0–127 Volume of phase-shifted sound
Low Gain -15–+15 dB Amount of low-range boost/cut
High Gain -15–+15 dB Amount of high-range boost/cut
Parameter Value Explanation
Level 0–127 Output volume
10: Phaser2
(Phaser 2)
This simulates an analog phaser of the past.
It is particularly suitable for electric piano.
L in
R in
L out
R out
Phaser
2-Band EQ
2-Band EQ
Phaser
Parameter Value Explanation
Rate # 0–100 Modulation rate
Color 1, 2 Modulation character
Low Gain -15–+15 dB Amount of low-range boost/cut
High Gain -15–+15 dB Amount of high-range boost/cut
Level 0–127 Output volume
11: Phaser3
(Phaser 3)
This simulates a dierent analog phaser than Phaser 2.
It is particularly suitable for electric piano.
L in
R in
L out
R out
Phaser
2-Band EQ
2-Band EQ
Phaser
Parameter Value Explanation
Speed # 0–100 Modulation rate
Low Gain -15–+15 dB Amount of low-range boost/cut
High Gain -15–+15 dB Amount of high-range boost/cut
Level 0–127 Output volume