Name: Yamaha DM2000
Brand: Yamaha
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Owner’s Manual

Keep This Manual For Future Reference.

Default Chapter3
- Important Information3
- Conventions Used in this Manual6
- Package Contents6
- Yamaha Web Site6
- Aux Sends7
- Input Channels7
- Other Functions8
- Scene Memory8
- Table of Contents10
Welcome17
Control Surface & Rear Panel20
- Control Surface20
- Rear Panel45
Operating Basics51
- Connecting the Power Cord51
- Turning on & off the DM200051
- About the Display52
- Selecting Display Pages53
- Display History53
- Display Page Controls54
- Parameter Windows54
- Confirmation Messages54
- Title Edit Window54
- Using a Keyboard55
- Channel Strip Displays55
- Other Parameters57
- Selecting Layers58
- Selecting Channels59
- Selecting Fader Modes60
- Selecting Encoder Modes61
- Assigning Parameters to the ENCODER MODE Assign Buttons62
Analog I/O & the AD Input Section64
- AD Input Section64
- Stereo out65
- Control Room Monitor Outs65
- Studio Monitor Outs65
- Omni Outs65
- 2TR Analog ins65
Digital I/O & Cascading66
- Wordclocks66
- Selecting the Wordclock Source67
- 2TR Digital Outs68
- 2TR Digital ins69
- 2TR In/Out Sampling Rate Conversion69
- Slot I/O70
- Setting the Transfer Format for Higher Sampling Rates72
- Dithering Digital Outputs73
- Monitoring Digital Input Channel Status73
- Cascading Consoles74
Input & Output Patching77
- Input Patching77
- Output Patching79
- Patching Direct Outs81
- Naming Input & Output Ports82
- Patch Select Window83
- Patching with the Encoders83
Input Channels84
- Patching Input Channels84
- Metering Input Channels84
- Reversing the Signal Phase84
- Gating Input Channels85
- Attenuating Input Channels87
- Eq'ing Input Channels87
- Grouping Input Channel Eqs87
- Input Channel Inserts87
- Compressing Input Channels87
- Grouping Input Channel Compressors88
- Delaying Input Channels88
- Muting Input Channels (ON/OFF)88
- Grouping Input Channel Mutes (ON/OFF)89
- Input Channel Mute Master90
- Setting Input Channel Levels90
- Grouping Input Channel Faders91
- Group Master for Input Channel Faders92
- Routing Input Channels93
- Panning Input Channels95
- Using Surround Pan97
- Assigning Surround Channels to Buses99
- Sending Input Channels to Aux Sends102
- Soloing Input Channels102
- Direct Outs102
- Pairing Input Channels102
- Viewing Input Channel Settings102
- Copying Input Channel Settings102
- Naming Input Channels102
- Using the MS Stereo Microphone103
Stereo out104
- Stereo out Connectors104
- Patching the Stereo out to Outputs104
- Routing Input Channels to the Stereo out104
- Sending Bus Outs to the Stereo out104
- Metering the Stereo out104
- Monitoring the Stereo out104
- Attenuating the Stereo out104
- Eq'ing the Stereo out104
- Grouping Master Eqs104
- Compressing the Stereo out105
- Grouping Master Compressors105
- Muting the Stereo out (ON/OFF)105
- Grouping Master Mutes (ON/OFF)105
- Setting the Stereo out Level105
- Grouping Master Faders105
- Sending the Stereo out to the Matrix Sends105
- Balancing the Stereo out106
- Delaying the Stereo out106
- Inserting Geqs106
- Viewing Stereo out Settings106
- Copying Stereo out Settings106
- Naming the Stereo out106
Bus Outs107
- Patching Bus Outs to Outputs107
- Routing Input Channels to Bus Outs107
- Metering Bus Outs107
- Monitoring Bus Outs107
- Attenuating Bus Outs107
- Eq'ing Bus Outs107
- Grouping Master Eqs107
- Bus out Inserts107
- Compressing Bus Outs107
- Muting Bus Outs (ON/OFF)108
- Grouping Master Mutes (ON/OFF)108
- Setting Bus out Levels108
- Grouping Master Faders108
- Sending Bus Outs to Matrix Sends108
- Delaying Bus Outs108
- Inserting Geqs108
- Soloing Bus Outs108
- Pairing Bus Outs108
- Sending Bus Outs to the Stereo out109
- Viewing Bus out Settings109
- Copying Bus out Settings109
- Naming Bus Outs109
Aux Sends110
- Patching Aux Send Masters to Outputs110
- Setting the Aux Send Mode110
- Pre-Fader or Post-Fader Aux Sends111
- Setting Aux Send Levels111
- Muting Aux Sends (ON/OFF)112
- Aux Send Pages112
- Viewing Aux Send Settings114
- Panning Aux Sends116
- Excluding Certain Channels from Aux Sends (MIX Minus)117
- Copying Channel Fader Positions to Aux Sends118
- Metering Aux Send Masters118
- Monitoring Aux Send Masters118
- Attenuating Aux Send Masters118
- Eq'ing Aux Send Masters118
- Grouping Master Eqs118
- Aux Send Master Inserts119
- Compressing Aux Send Masters119
- Grouping Master Compressors119
- Muting Aux Send Masters (ON/OFF)119
- Grouping Master Mutes (ON/OFF)119
- Settings Aux Send Master Levels119
- Grouping Master Faders119
- Sending Aux Sends to Matrix Sends119
- Delaying Aux Send Masters119
- Inserting Geqs120
- Soloing Aux Sends120
- Pairing Aux Sends120
- Viewing Aux Send Master Settings120
- Copying Aux Send Master Settings120
- Naming Aux Send Masters120
Matrix Sends121
- Patching Matrix Send Masters to Outputs121
- Pre-Fader or Post-Fader Matrix Sends121
- Setting Matrix Send Levels121
- Muting Matrix Sends (ON/OFF)122
- Matrix Send122
- Panning Matrix Sends123
- Viewing Matrix Send Settings124
- Metering Matrix Send Masters124
- Monitoring Matrix Send Masters124
- Attenuating Matrix Send Masters125
- Eq'ing Matrix Send Masters125
- Grouping Master Eqs125
- Matrix Send Master Inserts125
- Compressing Matrix Send Masters125
- Grouping Master Compressors125
- Muting Matrix Send Masters (ON/OFF)125
- Grouping Master Mutes (ON/OFF)125
- Setting Matrix Send Master Levels125
- Grouping Master Faders126
- Balancing Matrix Send Masters126
- Delaying Matrix Send Masters126
- Soloing Matrix Sends126
- Inserting Geqs126
- Viewing Matrix Send Master Settings126
- Copying Matrix Send Master Settings126
- Naming Matrix Send Masters126
12 Common Channel Functions127
- Metering127
- Attenuating Signals130
- Using EQ131
- Grouping Output Channel Eqs135
- Using Inserts135
- Compressing Channels137
- Grouping Output Channel Compressors140
- Delaying Channel Signals141
- Soloing Channels142
- Pairing Channels144
- Grouping Output Channel Faders146
- Group Master for the Output Channel Faders147
- Grouping Output Channel Mutes (ON/OFF)149
- Output Channel Mute Master149
- Viewing Channel Parameter Settings150
- Viewing Channel Fader Settings151
- Copying Channel Settings155
- Naming Channels156
- Output Channels157
13 Monitoring & Talkback158
- Control Room Monitoring158
- Studio Monitoring159
- Surround Monitoring160
- Using Talkback & Slate163
14 Libraries165
- About the Libraries165
- General Library Operation165
- Channel Library166
- Input Patch Library167
- Output Patch Library167
- GEQ Library168
- Effects Library168
- Bus to Stereo Library169
- Gate Library170
- Comp Library171
- EQ Library172
- Automix Library173
- Surround Monitor Library173
15 Internal Effects, Plug-Ins & Geqs174
- About the Effects174
- Patching Effects Processors174
- Preset Effects & Types174
- Dynamic Effects175
- Editing Effects177
- Adding Optional Add-On Effects178
- About Plug-Ins179
- Configuring Plug-Ins180
- Editing Plug-Ins181
- About the Geqs183
- Editing Geqs183
- Editing the Graphic EQ Using the Channel Faders184
16 Scene Memories185
- About Scene Memories185
- Auto Scene Memory Update186
- Storing & Recalling Scenes with the SCENE MEMORY Buttons187
- Using the Scene Memory Page188
- Fading Scenes189
- Recalling Scenes Safely190
- Sorting Scenes191
- Copying and Pasting a Scene (Global Paste)191
17 Automix193
- About Automix193
- What's Recorded in an Automix193
- Automix Main Page194
- AUTOMIX Section198
- Channel Strip [AUTO] Buttons199
- Automix Memory Page199
- Fader Edit Pages199
- Selecting the Timecode Source & Frame Rate201
- Creating a Time Signature Map202
- Recording an Automix202
- Inserting MIX Parameters into Automix203
- Rerecording Events205
- Parameter Recording206
- Punching in & out Individual Parameters207
- Playing Back an Automix208
- Editing Events Offline209
18 MIDI215
- MIDI & the DM2000215
- MIDI I/O215
- MIDI Port Setup216
- MIDI Channel Setup217
- Assigning Scenes to Program Changes218
- Assigning Parameters to Control Changes219
- Controlling Parameters by Using Parameter Changes219
- Using Bulk Dump220
19 Pro Tools Remote Layer221
- Configuring Windows Computers221
- Configuring Macintosh Computers (Macos 8.6 to 9.2.2)221
- Configuring Macintosh Computer (Macos X)221
- Configuring the DM2000222
- Configuring Pro Tools222
- Control Surface Operation with the Pro Tools Remote Layer224
  - Matrix Select Section228
  - Aux Select Section228
  - Fader Mode Section229
  - Display Access Section229
  - Effects/Plug-Ins Section230
  - Locator Section235
  - Parameter Wheel237
  - Data Entry & Transport Section237
- Scrolling Windows238
- Selecting Channels239
- Assigning Inputs to Channels239
- Assigning Outputs to Channels240
- Setting Channel Levels240
- Muting Channels241
- Panning Channels241
- Soloing Channels241
- Assigning Send Destinations242
- Configuring Sends as Pre or Post242
- Setting Send Levels243
- Muting Sends243
- Panning Sends243
- Flip Mode243
- Assigning Inserts/Plug-Ins244
- Editing Plug-Ins245
- Bypassing Individual Plug-Ins246
- Bypassing All Plug-Ins246
- Resetting Faders, Sends, Panpots & Plug-Ins247
- Navigating the Edit Window247
- Zooming248
- Making Fine Adjustments to the Selected Region248
- Scrub & Shuttle249
- Automation250
  - Trim Mode251
  - Arming Parameters for Automation251
- Panner252
20 Remote Control253
- About Remote Layers253
- About Machine Control (MMC & P2)256
  - Transport Buttons257
  - Using the Locator258
- GPI (General Purpose Interface)264
- Controlling AD8HR/AD824 A/D Converters267
21 Other Functions269
- Using the User Assignable Layers269
- Using the User Deﬁned Keys270
- Saving DM2000 Data to Smartmedia271
- Setting Preferences274
- Using the Oscillator279
- Operation Lock280
- Checking the Battery and the System Version282
- Initializing the DM2000282
- Initializing the Password282
Appendix A: Parameter Lists283
- User Defined Keys283
- USER DEFINED KEYS Initial Assignments285
- Input Patch Parameters286
- Initial Input Patch Settings289
- Output Patch Parameters290
- Initial Output Patch Settings297
- Initial Input Channel Names298
- Initial Output Channel Names299
- Initial Input Port Names300
- Initial Output Port Names301
- GPI Trigger Source & Target List302
- User Defined Remote Layer Initial Bank Settings306
- Effects Parameters310
  - Mono Delay311
  - Stereo Delay311
  - Ring Mod316
  - Auto Pan327
- Effects and Tempo Synchronization331
- Preset EQ Parameters332
- Preset Gate Parameters333
- (Fs = 44.1 Khz)333
- Preset Compressor Parameters (Fs = 44.1 Khz)334
- Dynamics Parameters336
- Comp Section338
Appendix B: Specifications341
- General Spec341
- Libraries346
- Analog Input Spec347
- Analog Output Spec347
- Digital Input Spec348
- Digital Output Spec348
- I/O Slot Spec349
- Control I/O Spec349
- Connector Pin Assignments350
- Dimensions351
Appendix C: MIDI352
- Scene Memory to Program Change Table352
- Initial Parameter to Control Change Table353
- MIDI Data Format369
- Format Details369
Appendix D: Options386
- MB2000 Peak Meter Bridge386
- SP2000 Wooden Side Panels388
Index389
- MIDI Implementation Chart401

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Yamaha DM2000 Specifications

General

Type	Digital Mixing Console
Channels	96
Sampling Rate	44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Bit Depth	24-bit
Aux Sends	12
Matrix	8 x 8
EQ Bands	4-band parametric
Word Clock	Yes
Effects	Internal Effects Processors
Digital I/O	AES/EBU, ADAT
Display	LCD

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