Fixed note: You can define a fixed note for the part, which sounds on all keys of
the keyboard, then. So, the part plays the same pitch on all keys. This
mode is interesting for certain effect sounds that overlap the same
sample on all keys of the manual with the other - normal playing -
parts.
Pitch range: Here you can assign an individual pitch range for the pitch wheel for
each part. The entry is made in semitones up to 12 (1 octave).
The default setting is 2 half tones (= 1 whole tone step). The setting
applies to both lowering the pitch (pull the pitch wheel down) and
raising it (push the pitch wheel up).
Pitch: Here you can specify whether the part should react to the pitch
wheel at all ("yes") or not ("no").
Sustain: Here you can specify whether the part should react to the sustain
effect (footswitch - "piano pedal") ("yes") or not ("no").
Aftertouch: On many sounds, you can trigger a vibrato effect, the so-called
aftertouch, by pressing down an already played key harder. With this
parameter you specify whether the part should respond to the
aftertouch ("yes") or not ("no"). Whether an effect is triggered at all
and which effect or its intensity is defined in the sound parameters of
the respective sound.
Transposition: Here you specify whether the part should respond to the global
transpose ("yes") or not ("no").
Submix Controls: Usually the parts of the manuals are assigned to the corresponding
submix volume drawbar on the drawbar profile. For example, the
[Upper] submix drawbar controls the total volume of all upper right
parts.
However, you can also use this parameter to assign a part to one of
the other possible submix controls yourself. If, for example, you want
to control a part from the Upper right group using the Upper left
submix control, set the corresponding control here.
You'll also find some user submix controls that you can use to group
certain parts together on a separate, new control. Of course, you
must also assign such a user control to one of the drawbars,
handwheels or swell pedal(s) in order to be able to control it while
playing. More on this later in the chapter "button and slider
assignments".
Sometimes it makes sense that a part is not influenced by any of the
submix controls. In this case, the setting Max. (maximum) is planned.
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