54
MFX/IFX Parameters
23 Chorus
This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.
R out
L out
2-Band EQ
2-Band EQ
Balance W
Balance W
Balance D
Balance D
L in
Chorus
Chorus
R in
Parameter Value Explanation
Filter Type OFF, LPF, HPF
Type of filter
OFF: No filter is used.
LPF: Cuts the frequency range above the
Cutoff Freq
HPF: Cuts the frequency range below the
Cutoff Freq
Cutoff Freq
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
2500, 3150, 4000,
5000, 6300, 8000
(Hz)
Basic frequency of the filter
Pre Delay 0.0–100 (msec)
Adjusts the delay time from the direct
sound until the chorus sound is heard.
Rate (sync sw) OFF, ON
If this is ON, the rate synchronizes with the
tempo of the rhythm.
& “Scene Tempo” (p. 22)
Rate (Hz) 0.05–10.00 (Hz)
Frequency of modulation
Rate (note)
Note
& “Note” (p. 64)
Depth 0–127 Depth of modulation
Phase 0–180 (deg) Spatial spread of the sound
Low Gain -15–+15 (dB) Gain of the low range
High Gain -15–+15 (dB) Gain of the high range
Balance D100:0W–D0:100W
Volume balance between the direct sound
(D) and the chorus sound (W)
Level 0–127 Output Level
24 Flanger
This is a stereo flanger (The LFO has the same phase for left and
right.).
It produces a metallic resonance that rises and falls like a jet airplane
taking off or landing.
A filter is provided so that you can adjust the timbre of the flanged
sound.
R out
L out
2-Band EQ
2-Band EQ
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in
Flanger
Flanger
R in
Parameter Value Explanation
Filter Type OFF, LPF, HPF
Type of filter
OFF: No filter is used.
LPF: Cuts the frequency range above the
Cutoff Freq
HPF: Cuts the frequency range below the
Cutoff Freq
Cutoff Freq
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
2500, 3150, 4000,
5000, 6300, 8000
(Hz)
Basic frequency of the filter
Pre Delay 0.0–100 (msec)
Adjusts the delay time from the direct
sound until the flanger sound is heard.
Rate (sync sw) OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
& “Scene Tempo” (p. 22)
Rate (Hz) 0.05–10.00 (Hz)
Frequency of modulation
Rate (note)
Note
& “Note” (p. 64)
Depth 0–127 Depth of modulation
Phase 0–180 (deg) Spatial spread of the sound
Feedback -98–+98 (%)
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Low Gain -15–+15 (dB) Gain of the low range
High Gain -15–+15 (dB) Gain of the high range
Balance D100:0W–D0:100W
Volume balance between the direct
sound (D) and the flanger sound (W)
Level 0–127 Output Level