62
MFX/IFX Parameters
Parameter Value Explanation
Speaker Type
Cabinet
Diameter (in
inches) and
number of the
speaker
Microphone
SMALL 1
Small open-
back enclosure
10 Dynamic
SMALL 2
Small open-
back enclosure
10 Dynamic
MIDDLE
Open back
enclosure
12 x 1 Dynamic
JC-120
Open back
enclosure
12 x 2 Dynamic
BUILT-IN1
Open back
enclosure
12 x 2 Dynamic
BUILT-IN2
Open back
enclosure
12 x 2 Condenser
BUILT-IN3
Open back
enclosure
12 x 2 Condenser
BUILT-IN4
Open back
enclosure
12 x 2 Condenser
BUILT-IN5
Open back
enclosure
12 x 2 Condenser
BG STACK1
Sealed
enclosure
12 x 2 Condenser
BG STACK2
Large sealed
enclosure
12 x 2 Condenser
MS STACK1
Large sealed
enclosure
12 x 4 Condenser
MS STACK2
Large sealed
enclosure
12 x 4 Condenser
METAL STACK
Large double
stack
12 x 4 Condenser
2-STACK
Large double
stack
12 x 4 Condenser
3-STACK
Large triple
stack
12 x 4 Condenser
Delay Switch OFF, ON Delay on/off
Delay Time 1–1300 (msec)
Delay time from when the original sound
is heard to when the delay sound is heard
Delay Feedback -98–+98 (%)
Adjusts the proportion of the delay sound
that is fed back into the effect. Negative
(-) settings will invert the phase.
Delay HF Damp
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
2500, 3150, 4000,
5000, 6300, 8000,
BYPASS (Hz)
Frequency at which the high-frequency
portion of the delay sound will be cut
(BYPASS: no cut)
Delay Balance D100:0W–D0:100W
Adjusts the volume balance between the
sound that is sent through the delay (W)
and the sound that is not sent through
the delay (D).
Level 0–127 Output Level
72 CE-1
This models the classic BOSS CE-1 chorus effect unit.
It provides a chorus sound with a distinctively analog warmth.
L in L out
R outR in
CE-1
2-Band EQ
2-Band EQ
Parameter Value Explanation
Intensity 0–127 Chorus depth
Low Gain -15–+15 (dB) Gain of the low range
High Gain -15–+15 (dB) Gain of the high range
Level 0–127 Output Level
73 SBF-325
This effect reproduces Roland’s SBF-325 analog flanger.
It provides three types of flanging effect (which adds a metallic
resonance to the original sound) and a chorus-type effect.
L in L out
R outR in
SBF-325
Parameter Value Explanation
Mode
Types of flanging effect
FL1 A typical mono flanger
FL2
A stereo flanger that preserves the stereo
positioning of the original sound
FL3
A cross-mix flanger that produces a more
intense effect
CHO A chorus effect
Rate (sync sw) OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
& “Scene Tempo” (p. 22)
Rate (Hz) 0.02–5.00 (Hz)
Modulation frequency of the flanger
effect
Rate (note)
Note
& “Note” (p. 64)
Depth 0–127 Modulation depth of the flanger effect
Manual 0–127
Center frequency at which the flanger
effect is applied
Feedback 0–127
Amount by which the flanging effect is
boosted
If Mode is CHO, this setting is ignored.
CH-R Mod Phase
NORM, INV
Phase of the right channel modulation:
Normally, you will leave this at Normal
(NORM).
If you specify Inverted (INV), the modulation
(upward/downward movement) of the right
channel is inverted.
CH-L Phase
Phase when mixing the flanging sound
with the original sound
NORM: normal phase
INV: inverse phase
CH-R Phase
Level 0–127 Output Level
74 SDD-320
(DIMENSION D)
This models Roland’s DIMENSION D (SDD-320).
It provides a clear chorus sound.
L in L out
R outR in
SDD-320
2-Band EQ
2-Band EQ
Parameter Value Explanation
Mode
1, 2, 3, 4, 1+4, 2+4,
3+4
Switches the mode.
Low Gain -15–+15 (dB) Gain of the low range
High Gain -15–+15 (dB) Gain of the high range
Level 0–127 Output Level
To Next Page
Loading...
