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Basic functions
Program mode
EG page
Indicates settings for the filter EG, which controls time-
variant changes in tone (☞PG p.18). Make settings for 
the EG here, and set the depth of its effect in the Mod.1 
page “Filter EG” parameter.
Filter EG and Amplifier EG
When the Filter EG changes the cutoff frequency, the 
tone will change. However depending on the volume 
changes produced by the Amplifier EG, this can be 
heard in different ways. For example by changing the 
speed at which the tone and volume begin (attack) or 
decay, you can significantly vary the character of the 
tonal change. It is a good idea to adjust the changes of 
both the Filter EG (tone) and the Amplifier EG (vol-
ume) as you proceed with editing. (☞“5.1: Ed–Amp1, 
EG page, 5.2: Ed–Amp2, EG page)
Amplifier settings
5.1: Ed–Amp1, 5.2: Ed–Amp2
These settings affect the volume. Here you can adjust 
the way in which the Amp EG and LFO produce time-
varying and cyclic changes in volume, and how the 
controllers etc. will affect the volume.
Amp1 applies to OSC1, and Amp2 applies to OSC2.
Amp2 can be used if “Mode (Oscillator Mode)” is set to 
Double.
For example, the volume of a piano note begins at a 
high volume the instant you play the note, and then 
decreases gradually. The volume of an organ note 
remains constant as long as you continue pressing the 
key. The volume of a note on a violin or wind instru-
ment can be varied during the note by the musician 
(i.e., by regulating the amount of pressure on the bow 
or the force of the breath).
Lvl/Pan (Level/Pan) page
Amp1 Level, Amp2 Level
Adjusts the volume of the sound that has passed 
through the oscillator, filter, and amp.
Pan
Specifies the pan (stereo position) after the signal has 
passed through the oscillator, filter, and amp. Normally 
you will set this to C064. If “Mode (Oscillator Mode)” 
is Double and you wish to create a sense of stereo, set 
the 5.1: Ed-Amp1 and 5.2: Ed-Amp2 parameter “Pan” 
to left and right for oscillators 1 and 2 respectively. 
With a setting of Random, the pan will change ran-
domly each time you play a note on this instrument, 
producing an interesting effect.
AMS Intensity
“Intensity” specifies the depth of the panning effect 
that will occur when “AMS” is operated.
If you set “AMS” to Note No., the pan will change 
according to the keyboard position at which you play a 
note on a this instrument. With a setting of LFO1 or 2, 
the pan will sweep from side to side (auto pan). Other 
settings allow you to move the oscillator pan by oper-
ating a controller.
Use DKit Setting
This is valid when “Mode (Oscillator Mode)” is set to 
Drums. If this is checked, the pan location specified by 
the Drum Kit for each drum sound will be used. If this 
is unchecked, all drum sounds will sound at the same 
location. Preload and GM drum kits are set to stereo 
settings. Normally you will leave this checked.
Mod. page
This varies the cutoff frequency according to the key-
board location that you play.
Keyboard Track
This lets you vary the volume by the keyboard location 
you play.
• When Ramp “Low” has a positive (+) value, the 
volume will increase as you play lower on the 
keyboard. With a negative (–) value, the volume 
will decrease as you play lower on the keyboard.
• When Ramp “High” has a positive (+) value, the 
volume will increase as you play higher on the 
keyboard. With a negative (–) value, the volume 
will decrease as you play higher on the keyboard.
Amp Mod.
“Velocity Int” is used by most programs to decrease 
the volume of softly played notes and increase the vol-
ume of strongly played notes, and this Amp Modula-
tion parameter adjusts the depth of this control. 
Normally you will set Amp Modulation to positive (+) 
values. As this setting is increased, there will be greater 
volume difference between softly played and strongly 
played notes.
LFO1 Mod., LFO2 Mod.
Specify how the LFO’s will produce cyclic changes in 
volume (the tremolo effect).
The volume will be affected by the LFO(s) for which 
you set an “Intensity (LFO1 Intensity, LFO2 Intensity)” 
value.
Volume
Time
Piano
Volume decays gradually
Volume
Time
Organ
Volume remains constant 
until note is released